Here comes Terminal 8, the last entry in the Terminal font series.

Go check out the other Terminal fonts on my profile if you haven't!

NOTE: Click 'TrueType Font' when downloading!

See more:

https://fontstruct.com/fontstructions/show/1310494/pannonica-c

https://fontstruct.com/fontstructions/show/1754699/gogo-14-1

https://www.myfonts.com/fonts/spareartist/crassified/

https://www.fontstruct.com/fontstructions/show/286174/adlex

https://fontstruct.com/fontstructions/show/1719850/gruz-1

All cap bold serif

kerned : Russian, Latin Basic, More Latin

I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either

I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough

See more:

https://fontstruct.com/fontstructions/show/1533648/dracula-4

https://fontstruct.com/fontstructions/show/1816053/spaaace

https://www.fontstruct.com/fontstructions/show/1659156/soul-ninja-1

https://www.fontstruct.com/fontstructions/show/1424617/biologic-1

https://www.fontstruct.com/fontstructions/show/360025/ziti

https://www.fontstruct.com/fontstructions/show/14322/canal_carpien

Eliminated various differences between the original. Fixed some length issues.

Globalspaced

HUD suitable for Sonic 1, 2, 3, 3&K and CD.

Lowercase ported from Sonic CD 0.02

Monospaced Elian Script based on http://www.ccelian.com/concepca.html

Uses 2x2 filters for more control over bricks. Also has cleverly designed tone contours so I don't have to figure out what slope of bricks I need…

Contains all glyphs from WGL-4 plus some extra glyphs…

I'll eventually port this to OpenType with the bearings [more or less] balanced out (What I'll do is move specific glyphs 64 em units to the right), kerning, and GSUB tables…

Zabo is a font.

A sans-serif pixel font.

Version 0.5

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A font made for a LuneKnight, a Terraria mod by yours truly. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken too seriously. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.

The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade. Actually, most of the quirks this font possesses are present to help present a handmade look.

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Notes

The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.

The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).

Sorry if this font is low detail...

Taken from _Priscilla Juniors' Cross Stitch Book_ byThe Priscilla Publishing Co. (1914).  Orginal only has minuscule.

  https://archive.org/details/PriscillaJuniorsCrossStitchBook/page/n31/mode/1up