Just Balls is a font that only uses circle-shaped blocks, which are found on FontStruct.

Version 1.3: Added Polish.

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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.

"Nervousa" is an anagram for "Ravenous".

there not all done

Based off of the PSA/EPF code from Club Penguin.

Recreation of the main pixel font from Nintendo's "The Legend of Zelda: The Minish Cap" (2004) on the Game Boy Advance.

This is the monospaced variant, as found in the game's ROM and as used in the initial character name entry screens. In game, the font is then used proportionally - this will be provided as a separate font recreation.

A handful of characters - ™ trade mark sign (U+2122), ♪ eight note (U+266A), ❤ heavy black heart (U+2764), ▶ black right-pointing triangle (U+25B6) - had very subtle antialiasing. In this recreation, it has been removed. The tileset also includes two different sets of double quotation marks (which are not used in the game itself) - the "fatter" ones have been mapped to heavy double turned comma quotation mark ornament (U+275D) and heavy double comma quotation mark ornament (U+275E).

This font includes a full set of hiragana and katakana characters, with custom glyphs for characters with a dakuten and handakuten. The game itself also uses a series of complex kanji characters (particularly in the introduction). Some of those characters are also wider than the default 8 pixel tiles. These have not been included in this recreation.

Only the characters present in the game's tile set have been included.

UPDATE 07 Oct 17: In February something happened to the font, re-arranging every single brick to somewhere else. I just now got around to fixing it.

Parentheses can be used as caps for the beginnings and ends of sentences.

A dark look and a few crows' beaks for dreary November... it belongs to my "1st of" series for 2016.

A semibold Gongclonker made to the same specs as the original - 5x5 with no wasted matrix.

Small-grid doodle which creates new combinatorial forms.

I considered this design rather rough and unappealing until I gave it negative spacing. This caused the forms to merge together in unpredictable and interesting ways. The lesson here is that sometimes the metrics, not the aesthetics, are what "save" a design.

See more:

https://www.fontstruct.com/fontstructions/show/1690797/subtract-2

https://www.fontstruct.com/fontstructions/show/1501515/dx-minima

https://www.fontstruct.com/fontstructions/show/539435/mnml_round_1

https://www.fontstruct.com/fontstructions/show/1420509/flexunda

https://fontstruct.com/fontstructions/show/458391/xe_cirpint

https://fontstruct.com/fontstructions/show/458383/xe_future_minimalist_bold

https://fontstruct.com/fontstructions/show/490446/xe_inktrap

https://www.fontstruct.com/fontstructions/show/425351/gibberish_12

https://www.fontstruct.com/fontstructions/show/495721/fs_plus_h

https://www.fontstruct.com/fontstructions/show/680450/discolyde

https://www.fontstruct.com/fontstructions/show/1165292/teka_exact

https://www.fontstruct.com/fontstructions/show/1554713/adobo

https://www.fontstruct.com/fontstructions/show/1577865/stf-sigma

MONKEY

This typeface was created from the theme of gregarious. Inspired mainly by the idea that we as sociable creatures live in society amongst people. To create the letter forms I walked around the city of Bristol, mapping my routes, therefore creating my typeface through interacting with the city constricted by the buildings around me. I put my typeface on a small grid to formulate the idea of a route, block by block.

The TI84+CE Font, with extra interpreted glyphs making the ultimate retro looking font