Recreation of the primary pixel font from Konami's "Akumajō Special: Boku Dracula-kun" (1990) on the Nintendo Famicom. It includes an almost complete set of hiragana and katakana characters.
Note that in the game, the dakuten and handakuten are rendered as a character on the preceding line, while this recreation includes characters with these diacritics in the correct position in the correct character codepoints themselves - for this reason, the characters themselves are taller than 8 pixels.
Only the characters present in the game's tile set have been included.
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!This is a clone of MasterClass 1
AZUL is BLUE in Spanish. I choose the word blue because it always reminds me of ultra bold fonts. But i feel like just "BLUE" looks dumb so i choose "AZUL" instead. Btw blue in Chinese is "lan". Just imagine "LAN" as it's name lol.
Least important stuff :
I got this idea when i was thinking about if I design a poster for a JoJo character. it'd be Kira Yoshikage. And I was like "Gotta need a ULTRA bold font to show he's really danger" Now you know this totally unuseful thing :P
A little more important stuff :
This font is free for all use.
DO NOT PRESS THE B SYMBOL WHEN YOU USE THIS FONT. SERIOUSLY, DO NOT
lqi laugh quietly inside
A WIP 9x7 serif font with many characters.
Experimental doodle. The idea here was to make letters, ascenders/descenders, and diacritics obey the same ratios. The result looks sci-fi and sporty at the same time...
A medium-res pixel font I designed in 2017 for printing the text of "The Story of Book" (TSoB), a tale which began life as an imaginary joke story and then was actually committed to paper.
TSoB is woven from my and my friends' whims, flights of fancy, in-jokes, and intentional idiocy, as well as contributions from several AIs. The resulting story changes tone, style, mood, and context at seeming random, and is subversive toward its media and reader beyond insufferability. All this was done just to make Trap Farmer Brer Brah slightly more interesting to the very few people who will ever bother to get and read The Story of Book in-game. So this font is based on an Easter egg.
This is one of my more advanced non-pixel fonts.
Done with 2x2 filters, nudging, and the occasional composite.
Contrast is, for the most part, fully even, making it look like the horizontal strokes are a bit thicker than vertical strokes. Wherever needed, strokes are 1/2 the usual thickness. Horizontal strokes in the descenders are 3/4 the usual weight.
Inspired by ProCon.com.au's HV font series.
- Finish Latin-1 Extensions.
- Add smart quotes and everything in the SuperLatin keyboard layout. (KreativeKorp)
Also, FS bug: Pixel view on fontstructions with 2x2 filters is actually one notch too small, and when I correct that myself, it's a little too low, creating a shadowed (and sometimes, a slightly scanlined) appearance.
Even the artificial thickening doesn't quite hide the brick placement.
Right now, when I download this, Windows says the .zip file is invalid. Trying 7-zip...
7-zip fails too?
This font explores the configuration of bubble forms. The font was inspired by markmakings of ink bubbles which imprinted onto a surface, rather than bubbles floating in the air. I have involved lots of depth and tonality into the font, which, despite bubbles being quite a soft concept, gives it a very dark and heavy feel. The outcome also contains a very digital feel, due to the small scale I worked with.
Version 1.2: Added Greek and Coptic. I don't have the right language support installed to see ALL the glyphs, so a few are still missing...
Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
An attempt at Gridbug in 2x2!