A semibold Gongclonker made to the same specs as the original - 5x5 with no wasted matrix.This is a clone of Gongclonker
Font inspired by the Neo-Noir genre of movies like L.A. Confidential, Drive, Blade Runner, as well as taking inspiration from older Noir movies such as Sunset Boulevard, The Night of the Hunter, and Laura
Basketcase is a bold, decorative font. My inspiration first came from walbaum decoritve font and then I shifted more towards taking a spin on DDC harware.
"NN Serif Roman" is a normal-weight font designed for body-text and titling in the Nwehu Nuswei language.
ABOUT NWEHU NUSWEI
Nwehu Nuswei (in IPA: [nwɛ'hə nə'swɛj]) is an artificial language for human discourse in speech, writing, and digital communication. It is not based on any existing human language, but makes use of human language "universals" whenever practicable to make it as easy as possible for all people to learn and use it. The language has been under development since 1976 as an intellectual exercise. The Website is at http://LarryKrieg.name/NN/
Because the word-structure is strictly Consonant-Vowel-Consonant-Vowel, each glyph represents either a consonant or a vowel, depending on its position in a word. There are 16 consonant sounds and 16 vocalic sound-combinations, hence 16 graphemes. Upper- and lower-case variants of each grapheme are offered in this font, giving 32 "letter" glyphs, plus 16 numeric glyphs (zero through fifteen), plus 9 punctuation marks that are not shared with Latin character-sets.
For ease in typing, NN glyphs are assigned to the closest corresponding Latin characters by sound. Glyphs representing vocalic sound combinations are assigned to accented vowels, so it is necessary to use a keyboard that makes accented Latin vowels available. The easiest on the basic standard computer keyboard is "US-international". This makes it possible to produce NN letters simply by typing Latin letters and formatting with an NN font.
It's font from my games but, you may download it.
Future Retro is a geometric typeface that has an implied roundness. The shape and contrast within each letter invokes a retro and a futuristic feeling at the same time. Future Retro is a sans serif display typeface with clear readability. Future Retro is great for large scale type in posters, signage, merchandise, headlines, titles, etc.
I am very inspired by the movable type used in letterpress. The goal was to make these old typefaces more modern and available for digital use. In order to make the typeface more modern, I added angles instead of slopes, focusing on very large serifs, paired with long, skinny letters. The name of this typeface is very straightforward, it is named Hipster Gutenberg.
Inspired by a type identification request over at Typography.guru.
During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.
The name means "shoe shop" (also shoe repair or shoe making) in Italian.
At the moment the language coverage is limited to Western Europe.
I needed a pixel font that was optimized in space but still comfortably readable, so I created Simpixel.
As three by five (3x5) seemed a reasonable size for capital letters and numbers (cf. A, B, E, S; 2, 3, 8 etc.), I tried my best. This didn't always work, as particular letters naturally need more horizontal space (cf. M, W; N, Q), such that some ended up four or five pixels wide (Though I have created a monospaced version - Simpixel Mono - where I managed to also condense those letters to 3x5).
I then worked on the small letters and eventually the rest of the Latin and even the Greek letters, just for fun. Of course, the less basic letters tend to be larger in size. Emoticons, pictograms and miscellaneous symbols fall into that category too (cf. ½, ⅓, ⅔, ¼, ⅛, ⅜, ⅝, ⅞, ⅟, etc).
With all that being said, thanks for checking this out!
A monospace font that mimicks the OSDs of yore. Some glyphs have been taken from datasheets for old character generator integrated circuits, and others have been modified or created from scratch.
For this font the idea was to make something which looked extremely clear at small sizes and which was optimized for speedreading. The low-polygonal style combined with the thick lines makes this a good font for footnotes and marginalia, thus the name.