Judadi foi criada com o principal objetivo de ser projetada para ser usada principalmente em títulos. É uma fonte modular não serifada de estilo digital, simples e muito geométrica. A combinação de diferentes formas criou um efeito agradável e único para as formas das letras. A rigidez dos quadrados e a fluidez das restantes formas criaram em efeito técnico e sedutor, resultando em alfabeto modular e com letras modernas. O nome da fonte “Judadi”, foi pensando, a partir da junção entre os nomes dos criadores da fonte, “Joana”, “Daniela” e “Daniel”.
I wanted to make something like runes or witch characters, so I made it.
Even when you want to prepare something.
It is a font of basic Latin characters, half-width numbers, large and small alphabets (small is the same as large), and half-width symbols.
I would be happy if you could specify it when you use it.
This text uses Google Translate.
A neat language of combining letters to create even more unique characters. Based on some languages like Armenian. Work in progress.
Version 1.3: Added Polish.
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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.
"Nervousa" is an anagram for "Ravenous".
UPDATE 07 Oct 17: In February something happened to the font, re-arranging every single brick to somewhere else. I just now got around to fixing it.
Parentheses can be used as caps for the beginnings and ends of sentences.
Monospaced version of CheddarSans by Fußmatte (aka Fussmatte, Doormat). As of now, the character set is limited compared to the original font (~400 glyphs vs. ~1000). Released under CC-BY-SA 3.0. Current version: 20.11.23.0
My first typeface was inspired by the theme “gang community”. A large element of my research was the analysis of the most commonly forged bank notes. This typeface is the development of the contrasting typography that feature on notes. One type of typography is clear and concise, and the opposite typography is increasingly complex and hard to read to the naked eye. This is to make it extremely hard for criminals to counterfeit.
Kintsugi is the Japanese art of putting broken pottery back together by sealing the cracks with gold - built on the idea that embracing flaws and imperfections, you can create an even stronger, more beautiful piece of art, this is idea is also a metaphor for self growth 'rebirth'. The typeface is designed to replicate the cracks in kintsugi ceramics. I wanted to create a bold font to suggest strength and how imperfections and flaws can make people stronger and even the strongest of people go through hardship.
(Ten year anniversary!)
This is my conlang, Täämüŕ.
а = a
ӓ = ɐ̃
ә = æ
б = b
в = β
г = ʞ̬̬
ҕ = ɢ
ԁ = d̪
ѯ = ð
є = ɛ
ѧ = ɛ̃~ɜ
ӡ = ʑ
з = z
і = i
ѵ = ɨ̃~ə
к = k
ӄ = χ
л = l~ʎ
м = m
н = n
ӈ = ɲ~ɴ
о = ɔ
ө = ɶ
ѫ = ɔ̃
п = p
ҧ = β̞
р = ʁ
ҏ = ɾ
с = s
ҩ = ɕ
ԍ = ɧ
т = t
ѳ = θ
ү = u
ұ = ɯ̽
ѡ = ʉ̃
ф = ɸ