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    <title>Favorite FontStructions from yeepoon (Sorted by Sharing Date)</title>
    <description>Fontstructions from FontStruct.com</description>
    <link>http://fontstruct.com</link>
    <lastBuildDate>Wed, 08 Jul 2026 08:10:53 +0000</lastBuildDate>
    <item>
      <title><![CDATA[“Vorse 2” by Soakley3]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=60300a34&id=896939&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Alphabet design developed for my UWE project. My chosen theme was vibrations I decided to look at morse code and see how messages are transmitted leading up to my design. Im always open to feedback. ]]></description>
      <link>https://fontstruct.com/fontstructions/show/896939/vorse_2</link>
      <pubDate>Mon, 11 Nov 2013 19:56:44 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“fs UnStruct” by William Leverette (will.i.ૐ)]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=68384a7e&id=896943&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/><p>Another leap toward the elusive subtractive Boolean.<br />
Each character consists of nine bricks arranged in a 3 x 3, filtered and scaled, composite-stack matrix. Insane levels of smooth detail result.<br />
This filtered, subtractive stacking technique extends those first published <a href="http://fontstruct.com/fontstructions/show/fs_light" rel="nofollow" target="_blank">here</a>.<br />
Enjoy a private clone to grok my unknown approach. The possibilities are endless...</p>]]></description>
      <link>https://fontstruct.com/fontstructions/show/896943/fs_unstruct</link>
      <pubDate>Sat, 02 Nov 2013 21:27:24 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Pane In My Glass” by gbates1]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=69985fca&id=895103&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>I started off looking at the word 'curves' and after generally looking at spirals and curved objects I decided to make the letters themselves curve. I cut the letter 'A' out of black cardboard and placed it in a glass of water, and then photographed it at many different angles and positions. I really liked the distorted effect the water had on the letters, and so after changing the theme to 'reflection' I carried on this technique with the rest of the alphabet. 'Pane in my glass' is made up of my favourite shapes that came out of this experimentation. 

]]></description>
      <link>https://fontstruct.com/fontstructions/show/895103/pane_in_my_glass</link>
      <pubDate>Fri, 01 Nov 2013 19:21:05 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Not on the table, kids.” by tesssieling]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=60e2721b&id=884483&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>Starting from the word 'squishy', I thought about how children play with very tactile things. If something has a tactile nature it will appeal to children to play with it and 'squish' it. From this I explored how sponges are very squeezable and photographed them in different ways. Alongside this thought process I was also sketching water in letter forms and loved how it appears to have a squishy texture in itself because it is fluid. Combining these ideas, I experimented with cutting sponges into letter forms, applying paint, squishing them and creating a typeface based on the marks they leave behind on a laminate table surface.]]></description>
      <link>https://fontstruct.com/fontstructions/show/884483/not_on_the_table_kids</link>
      <pubDate>Wed, 30 Oct 2013 18:45:32 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Hidden Beauty” by parvin10]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=5d4be9e3&id=893013&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>My first attempt at Fontstruct for my project at The University of the West of England. 

This font is based on the theme word that I chose, Ornate. I decided to look at weeds and went with the idea that they grow where they are not wanted. I chose to use a normal base letter in the background of the font and place weeds on top; where they are not wanted.

The name, 'Hidden Beauty' spurs from the fact that we automatically hate weeds however if you really look at them you would see that they can actually be quite beautiful.]]></description>
      <link>https://fontstruct.com/fontstructions/show/893013/hidden_beauty</link>
      <pubDate>Sun, 27 Oct 2013 02:34:30 +0000</pubDate>
    </item>
    <item>
      <title><![CDATA[“Having a Cast” by nathanmwood]]></title>
      <description><![CDATA[<img src="https://render.fontstruct.com/renderer/render?v=69f91ffb&id=890211&w=1600&h=150&f=0&a=left&t=AaBbCc%2BHandgloves%2B123"/><br/>This san serif, textured, bold font is inspired by the old cast iron type on train carts. When I discovered the old train carts down at the 'Bristol Harbour Railway' I was fascinated by these incredible forms. 

To create the structure of these characters I worked from one of the rubbings I took of a particularly nice iron plate and then scanned it into the computer to replicate the letters which where missing. I then printed this on to graph paper and transferred the bricks one by one to try and get the most accurate representation as possible.]]></description>
      <link>https://fontstruct.com/fontstructions/show/890211/having_a_cast</link>
      <pubDate>Wed, 23 Oct 2013 00:12:04 +0000</pubDate>
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