There are various pixel fonts for the main text from the Ace Attorney games out there (like "PW Extended", "Ace Attorney", or "pwfont"), but none of them is a truly coherent or complete recreation of all the actual letters used in the original NDS games. Igiari is there to change that! This font includes over 800 characters and features a vast array of letters with diacritics as well as a near-complete set of all original Japanese hiragana and katakana characters from the Ace Attorney series.
The font is a 1:1 rebuild based on the games and appears exactly as in-game with correct spacing. I also added the game-related Borginian font symbols as well as countless of the more common characters and some gylphs that don't show up in the games.
Please note that the European games (with German and French translations) use a slightly thinner variant of this font. I may work on a European set later, but for now, this is the most comprehensive set of Ace Attorney letters you will find on the net.
Due to the inclusion of the larger Japanese characters, the base font size and recommended setting for Igiari is 16pt and multiples of that. Use metric kerning and no additional smoothing effects for the ultimate Ace Attorney pixel experience.
The Ace Attorney games for Game Boy Advance and Nintendo DS were developed and released by Capcom from 2001 onward. I picked the name of the font (Igiari) after the Japanese variant of the games' trademark "Objection!" expression. The reason I rebuilt this font is that I needed the original appearance in an indie game project of my own.
~ Igiari - created by Caveras after the original font used in the Ace Attorney games for the Nintendo DS. ~
Another recap from one of the works by great Dutch graphical designer "Jurriaan Schrofer".
This time I revisited a design that originally was made back in 1975 for the Dutch Post Office (PTT) office build floor plans.
Clone of Getting Away With It 2. A more accurate, kerned update of the font from Electronic's 1991 self-titled album and the 2013 re-release; a variation of Wim Crouwel's "Stedelijk" alphabet, used on his 1968 Vormgevers poster for the Stedelijk Museum in Amsterdam. Includes new glyphs " - ( ) / and variant p q w 0 All other non-alphanumeric characters created by Goatmeal. ...Still has that kerny goodness!
2023 Update - Corrected / added concave curves to 4 @ +
This is a clone of Getting Away With It 2A more accurate update of the font from Electronic's 1991 self-titled album and the 2013 re-release; a variation of Wim Crouwel's "Stedelijk" alphabet, used on his 1968 Vormgevers poster for the Stedelijk Museum in Amsterdam. The 'characters running together' is purely intentional. Includes new glyphs " - ( ) / and variant p q w 0 . , : ; All other non-alphanumeric characters created by Goatmeal.
2023 Update - Corrected / added concave curves to 4 @ +
A logotype for retro-tech hardware inspired by Roc Mitchell's Corporate phototype series (aka Limited/Limited View and Logos/LogoStyle) from the 1970's. Free for personal use only. Alternate characters list: @ - P * - J # - L < - A > - t ^ - e { - F } - R ~ - K © - g ® - D § - S ¤ - E ‹ - A › - A ¹ - A ¼ - 4 ½ - m ¾ - w ² - V ³ - V ª - a « - p » - q † - f
Let not the death of our elders be the demise of our ways of life. Let not the passage of time be measured in the passing of languages beyond all living memory.
Based on the Lakota orthography © 1982 Leroy C. Curley.
Extended character and symbol set by William Leverette
This is a cloneThe font used for dialogue in Pokémon Diamond, Pearl, Platinum, HeartGold, and SoulSilver, with international, Greek, and Cyrillic extensions.
NEW: Some characters added for Unicode 8.0. (Still waiting for FontStruct to provide SMP support.)
Clone of Capcom Serif Large, but edited to look more typographically consistent. Enjoy! (Renamed from "v2" to "Remix" because it just sounds better; no other edits have been made.)
This is a clone of Capcom Serif LargeA font in this similar circus style was created back in 2014. Many years ago I went through to clear out some of my less desirable fonts, and it was lost during that time. Thanks to the font databank of Luc Devroye I was able to rebuild the font using the prior sample as inspiration while changing and revitalizing some of the glyphs. It was quite fun to rebuild this font, bringing it back from the grave. Please enjoy