10535196419
Published: 3rd August, 2013
Last edited: 4th August, 2013
Created: 1st August, 2013
A strong mecana font with personality, directly inspired in Evangelion's logo, for a special comission. (Evangelion= famous manga/anime)¿Do you think this deserves a lowercase set? let me know! =)
989598329230
Published: 6th April, 2008
Last edited: 18th August, 2010
Created: 6th April, 2008
I wasn't satisfied with either of the current logo expansions, so i made my own. With Cyrillic characters.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!
47975632721
Published: 5th November, 2010
Last edited: 6th November, 2010
Created: 4th November, 2010
This is my first FontStruction while currently studying graphic design at Bristol UWE.
Lots of experimentation solely using paints; quick hand movements and flicks to produce a messy, unrefined effect. Working in less than 1 second for each letter (with real paints), used as reference. Inspired by East Asian calligraphy.
404731268871
Published: 27th February, 2014
Last edited: 13th February, 2015
Created: 23rd February, 2014
Something as simple and boring as a monospaced, octagonal, sans serif font. But it has great unicode support!
31384327396
Published: 31st December, 2012
Last edited: 2nd January, 2013
Created: 20th February, 2009
This one was a long time in the works. If you liked Knutz and Boltz you'll really dig this one. Probably no numbers or extra characters to come I'm afraid. The caps were a ton of work alone. Enjoy.
300988766
Published: 8th May, 2014
Last edited: 8th May, 2014
Created: 17th April, 2014
It's good to be back.
Check out also:
http://fontstruct.com/fontstructions/show/corruptor_clean_ldr
http://fontstruct.com/fontstructions/show/critical_mass_ldr
http://fontstruct.com/fontstructions/show/2589_ldr
29961838137
Published: 18th April, 2008
Last edited: 15th June, 2009
Created: 18th April, 2008
Much like MinimalBloc, Leaflet works better when the modular pieces are revealed.
2684715525
Published: 12th November, 2012
Last edited: 7th April, 2014
Created: 12th November, 2012
I tried to replicate an old VCR font from various images and pieces of video online. A few of the letters and all of the symbols were entirely speculation.
26072231433
Published: 9th November, 2010
Last edited: 9th November, 2010
Created: 5th November, 2010
This typeface has been created based on the theme 'Vibration'. I tried out a wide range of experimentation when it came to producing hand rendered work, as I felt I needed to work out what would best capture the general sense of the word.
I tried using inks on elastic bands, attaching pens to a playstation controller and drawing, photographing food colouring over a speaker; all sorts. Finally, I decided I needed something which really reflected the word clearly. I looked at the white noise and the trails that you get on the television, and applied this feel to a sans serif font I had made based on Georgia (minus the Serifs)
One of the most time comsuming things I've ever done, hope its been worth it.
Any comments welcome.This is a clone
23751318607
Published: 18th November, 2012
Last edited: 25th January, 2013
Created: 13th November, 2012
A pixel version of Tahoma. Every letter is exactly the same as the Tahoma equivalent in 8pt.
23703921858
Published: 10th March, 2007
Last edited: 12th April, 2018
Created: 10th March, 2007
This is the first ever FontStruction.
A simple pixel font based on a 6 x 8 matrix of squares.
2091135356
Published: 8th April, 2008
Last edited: 23rd June, 2009
Created: 8th April, 2008
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
A big fat angular industrial strength chromatic font. The lowercase contains the fill for the uppercase.
UPDATED 25 February 2009: Made the space character 2 grid units wider.
UPDATED 27 February 2009: The 'J' has been off this entire time and nobody noticed. Now it's fixed. Also fixed width of 'Q' to match new members of the Big Fat family.
1632629873
Published: 3rd September, 2011
Last edited: 20th July, 2012
Created: 2nd June, 2011
A font inspired by Skrillex logo. Skrillex is a stage name of Sonny Moore, an electronic music artist who is famous for his dubstep releases, especially his EP called "Scary Monsters and Nice Sprites".
Each letter has a different horizontal position in lowercase.
Enjoy.
Future plans: expanding to full latin set, editing in FontLab Studio, in addition with proper kerning, spacing, precise positioning and some minor stuff which is impossible to be done in FontStruct (for now).
A message for everyone: if you're about to type "Skrillex" only, I recommend you making or downloading a perfect vector trace of the original logotype OR just hit "#", if you decide to use my font for your design. I often see Skrillex's logo adaptations made using this font and... I don't know why, but people somehow screw it up almost everytime.
Changelog:
18.10.2011
- numerals added
20.7.2012
- changed the name, removed "(Skrillex font" part
- added the following characters: "!", "?", "-", "_", ",", ".", "$".
Because people are frequently looking for this font on the internet and they have various problems with registering on FontStruct, I'm providing a link to the font on Dropbox: URL (three extra sample pics included! Woohoo! Everyone loves sample pics!)
Make sure you will read one of these text files preceded by numerous semicolons attached to the archive. You will also find there readme and license files provided by FontStruct. The archive itself is 100% virus-free.
Sites like DaFont did not accept it through the process of submission. Not sure why, though. Metallica or AC/DC inspired fonts are available, sigh.
Disclaimer: I do not own any rights to Skrillex brand and/or any of trademarks related to it. I am not taking any responsibility for legal issues resulting from usage of this font. The font itself is not 100% accurate with "Skrillex" logotype. If you are the owner of the rights to the brand, you can complain by sending an e-mail to me on address: neoqueto@derpymail.com.
153337668
Published: 6th April, 2008
Last edited: 17th August, 2010
Created: 6th April, 2008
More decorative alternates for FontStructura.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!This is a clone of Structurosa
15124119141
Published: 21st September, 2008
Last edited: 29th June, 2009
Created: 19th September, 2008
just for fun. i will propably update this from time to time.
Q: What's with the name? A: At some point over the holidays, the movie Thunderball was on and I got to thinking about jet packs, Aston Martins, archenemies, Blofeld, SPECTRE and whether Miami is really worth 100 Million in diamonds or if it might have been better just to keep the diamonds instead of trying to save Miami. I mean, at the time of the movie, Miami hadn't even discovered cocaine yet and really wasn't on the map. If I were Blofeld, I would have picked an entirely different city to hold a bomb threat over. It was the sixties after all, take out San Francisco. Incidentally, at one point in the movie Bond finds himself in the Bahamas in the middle of a junkanoo, which is a kind of street fair where folks wear insanely colorful costumes (mostly of feathers) and dance around. Junkanoo! Now that would make a great name for a font. Much better than Thunderball. Is it too late to change the name?
Q: Your recent output - including this clodhopper - seems to be stuck on the 1.8 brick size filter, is your filter toggle stuck or something? A: Your Mom's filter toggle is stuck, buddy! And my next font will be called Clodhopper, and it will be yet another font built at 1.8 and it's going to be big and thick so you'll really feel it when I beat on your skull with it.
Q: Whoa! Touchy. Ok, how about that uppercase 'T', it's awfully funny looking, you gonna change it? A: Oh Boy. You just don't know when to quit, do you? The 'T' began as a spacing compromise but over the last few days it has grown on me - overtaken me really - like some saccharine soaked pop song that I hate but secretly love. So back off on the 'T', it's not going anywhere.
Q: Any last thoughts? A: Blofeld, Junkanoo, Clodhopper - all rad names for fonts that have yet to be born. Q.E.D.
14121511112
Published: 6th April, 2008
Last edited: 25th September, 2009
Created: 6th April, 2008
I was having too much fun, so I made this all-important script version instead of sleeping.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!This is a clone of Structurosa
141045145148
Published: 7th February, 2014
Last edited: 21st October, 2022
Created: 24th January, 2014
Blackletter with a fat inline.
A mix of traditional blackletter glyph, exploration and grid compromise.
_________________________________
I'll complete the missing numbers and hopefully all diacritics.
This is a clone
128508643
Published: 5th June, 2013
Last edited: 11th April, 2016
Created: 1st June, 2013
The font used for Pokémon Emerald, with Eastern European, Greek, and Cyrillic support. NEW April 2016: More characters added; expanded Cyrillic support
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”