Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation:
1) Every letter is filled with thinner version of itself (self-pattern fill).
2) Outline vs Inline, emphasizing the "opposite" meaning of counter.
042718. Thor Ragnarok is the funniest of all the Marvel films. I can watch it over and over. There is so much respect for Jack Kirby’s art style all over land of Sakaar. Growing up I never really appreciated Kirby’s artwork, as I leaned toward more graphically detailed artists. It wasn’t until much later that I recognized his great contributions to the entire language of visual expression in sequential art. I’m sorry I didn’t create this for the opening, but here it is for Avengers Infinity War.
042718. The Black Panther is the most dramatic Marvel film to come out yet. My jaw dropped when I experienced Oakland being represented in the Marvel Cinematic Universe. And when Too Short was playing in the background I almost lost it. Wakanda Forever! I’m sorry I didn’t create this for the opening, but here it is for Avengers Infinity War.
042718. Opening Day of The Avengers Infinity War. It’s been a while since I’ve released a Superhero movie font, but this one brings to life my entire childhood exposure to the Marvel Universe. Over ten years now, each movie is getting deeper and deeper into the reality of each character. Looking back, I’ve got fontstructions for most of the Avengers: Hulk, Iron Man, Captain America, and now Thor, and Black Panther. All of them in tribute to these heroic symbols translated into glyphic abstract symbols. Thank you comic books, for drawing me into these creative spaces.
Ten years ago, a StumbleUpon Fontstruct on April 8, 2008 has been one of the highlights of my life. Few things have provided so much joy and fewer things have kept my interest for so long. Type design has always been a fascination for me and the simplicity of the UI/UX of fontstruct has allowed me to explore all that I can imagine without getting in the way while letting me do as I please for the most part. In times of creativity, fontstruct was there to let it flow, and in times of personal lows, fontstruct was there to allow me to ignore that which was beyond my control. Furthermore, the overall civility and helpful nature of the fontstruct community is still one of the best on the internet. I have been using the fontstruct website almost daily for 10 years now and rarely do I not see something new that is amazing and awe inspiring. The creativity of the designers past and present is incredible.
I wish to thank FontShop for sponsoring fontstruct for so long allowing it to grow. Most importantly, I wish to thank Mr. Meek for creating and constantly enhancing this incredible gift of creativity and a calming haven for over-active minds.
Thank you.
Thank you for this incredible gift that is fontstruct, Rob. Always a joy.
Congratulation on achieving the first ten years today (April 1, 2018).
Best wishes, as ever.
This is a clone of tm FestI decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...
Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!
elza: serif meets ball terminal... I found out the Germans actually have a word for this: 'Tropfenserife', which roughly translates as 'teardrop-serif'. Normally appearing at the end of strokes in letters such as a,c,f,g,j and r, I have tried to build this font around it, using it as its main design feature.
More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!
This is a cloneMy first entry for Serifcomp. Originally created in 2013, when I still had little knowledge about the finer details of type design. I've made major changes to the original design while trying not to lose its original feel (avoiding diagonal strokes, for example). I ended up making major changes to M, Q, T, W, f, k, m, q, r, t, and w, and minor changes to a bunch more; a ton of kerning was also required. It's not very polished yet, but it's a start...
Some alternates are available in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!
Kulibin or Kulidyaka? Kulich?
See more: https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov
https://fontstruct.com/fontstructions/show/152204/unispace
https://fontstruct.com/fontstructions/show/942604/lexiconius
Eda (by Alexander Tarbeev)
http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/
http://www.myfonts.com/fonts/shinn/scotch-modern/
http://www.myfonts.com/fonts/artlebedev/mirta/
Kostro, 21 Cent (https://yurigordon.com/ru/shop/fonts)
Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)
Marian family(19c), Caponi (https://commercialtype.com/)
https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F
http://www.myfonts.com/fonts/itc/caslon-no-224/
https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm
http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/
http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html
https://www.colophon-foundry.org/typefaces/peggs/
Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.
- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;
- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;
- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;
- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.
Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!
An attempt to make a very readable sans similar to what you would see on streetsigns, utilizing larger curves than the average FontStruction. Uses 3x3 curves on the uppercase and 2.5x2.5 on the lowercase/numbers. A few alternates in Latin Extended-A. As always, suggestions and critiques are welcome. Thanks and enjoy!