Non-unicode Devanagari clip font. It uses the same layout as KF Kiran fons. bha dha tha may look prettier if you use danda instead of a. The design of the letterforms were inspired by Ranjana script.
When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.
This is a cloneA font in this similar circus style was created back in 2014. Many years ago I went through to clear out some of my less desirable fonts, and it was lost during that time. Thanks to the font databank of Luc Devroye I was able to rebuild the font using the prior sample as inspiration while changing and revitalizing some of the glyphs. It was quite fun to rebuild this font, bringing it back from the grave. Please enjoy
Remember that time in the future now where we would blame immigrants for taking our jobs, and nobody talked about how robots can now execute many repetitive industrial manufacturing tasks, do gymnastics, disarm bombs, while working 24/7 without breaks, health insurance or labor unions, and how cars/drones could drive themselves with artificial intelligence that improves daily? That was the good ol' day. Now robots can perform surgical procedures. That video of a robot carefully removing the skin off of a grape was awesome. 4 out of 5 medical robots prefer the G1 Prone font for their personal visual linguistic representation due to its surgical precision and linear execution. The future of TeleRobotic medicine, or any laborious human endeavor, will be in the hands of our cold, unfeeling robot overlords. =)
This is a cloneLet not the death of our elders be the demise of our ways of life. Let not the passage of time be measured in the passing of languages beyond all living memory.
Based on the Lakota orthography © 1982 Leroy C. Curley.
Extended character and symbol set by William Leverette
This is a cloneThis font was created around the theme of 'elegant'. I chose to focus on the elegance of flowing fabric and drapery, so designed these letters inspired by classical depictions of fabric in paintings and marble sculptures.
Please note this is an uppercase font so will only work when typing in capitals.
This is a cloneWhat better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.
This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.
It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own.
Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.
The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.
I am already working on two additional fonts that came out of this exercise...and it might yield more.
This font and tm Byte started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.
It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own.
Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.
The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.
I am already working on two additional fonts that came out of this exercise...and it might yield more.
Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation:
1) Every letter is filled with thinner version of itself (self-pattern fill).
2) Outline vs Inline, emphasizing the "opposite" meaning of counter.
042718. Thor Ragnarok is the funniest of all the Marvel films. I can watch it over and over. There is so much respect for Jack Kirby’s art style all over land of Sakaar. Growing up I never really appreciated Kirby’s artwork, as I leaned toward more graphically detailed artists. It wasn’t until much later that I recognized his great contributions to the entire language of visual expression in sequential art. I’m sorry I didn’t create this for the opening, but here it is for Avengers Infinity War.
042718. The Black Panther is the most dramatic Marvel film to come out yet. My jaw dropped when I experienced Oakland being represented in the Marvel Cinematic Universe. And when Too Short was playing in the background I almost lost it. Wakanda Forever! I’m sorry I didn’t create this for the opening, but here it is for Avengers Infinity War.
042718. Opening Day of The Avengers Infinity War. It’s been a while since I’ve released a Superhero movie font, but this one brings to life my entire childhood exposure to the Marvel Universe. Over ten years now, each movie is getting deeper and deeper into the reality of each character. Looking back, I’ve got fontstructions for most of the Avengers: Hulk, Iron Man, Captain America, and now Thor, and Black Panther. All of them in tribute to these heroic symbols translated into glyphic abstract symbols. Thank you comic books, for drawing me into these creative spaces.
Another "2-in-1" fontstruct. To obtain a chained word, please write their letters using only the uppercase (= with connectors) and use the lowercase (= without connectors) to finish the last letter of your word. E.g.: HELLo. The lowercase works like a traditional font too.
Ten years ago, a StumbleUpon Fontstruct on April 8, 2008 has been one of the highlights of my life. Few things have provided so much joy and fewer things have kept my interest for so long. Type design has always been a fascination for me and the simplicity of the UI/UX of fontstruct has allowed me to explore all that I can imagine without getting in the way while letting me do as I please for the most part. In times of creativity, fontstruct was there to let it flow, and in times of personal lows, fontstruct was there to allow me to ignore that which was beyond my control. Furthermore, the overall civility and helpful nature of the fontstruct community is still one of the best on the internet. I have been using the fontstruct website almost daily for 10 years now and rarely do I not see something new that is amazing and awe inspiring. The creativity of the designers past and present is incredible.
I wish to thank FontShop for sponsoring fontstruct for so long allowing it to grow. Most importantly, I wish to thank Mr. Meek for creating and constantly enhancing this incredible gift of creativity and a calming haven for over-active minds.
Thank you.