Fontstructions from FontStruct.com http://fontstruct.com Wed, 08 Jul 2026 02:45:19 +0000
Criada no âmbito da disciplina de Tipografia do curso de Design da Universidade de Aveiro, esta fonte tipográfica tem como princípio o desdobrar de formas, rompendo a ligação entre curva e recta. Catarina Cardoso Cátia Batista Juliano Mourão Marta Rebelo Raquel Santos Rui Moura]]> https://fontstruct.com/fontstructions/show/827757/disrupt_3 Tue, 21 May 2013 22:39:59 +0000
Tipo desenvolvido por Angélica Santos, Carlos Da Silva, Cristiana Gramata, Francisca Pimenta, Nuno Almeida e Olexey Chumachenko. Universidade de Aveiro.]]> https://fontstruct.com/fontstructions/show/821009/bandeirola Tue, 14 May 2013 19:58:15 +0000
Estudo de "gotica" + "uncial" a simular influência Árabe. Matriz média de 6x6 blocos nas minusculas. Tem acentuação portuguesa. Study of "Black letter" + "uncial" with some Arab flavour. Matrix 6x6 pixel (average in lowercase) with Portuguese accent.]]> https://fontstruct.com/fontstructions/show/750886/mossarabe Mon, 14 Jan 2013 17:39:09 +0000
|||||Português|||||Tipografia que simula escrita gótica, com uma caneta de corte largo. A altura das letras maiúsculas é sete vezes a largura da ponta da caneta. A altura das minúsculas é 5 vezes a largura da ponta da caneta. A inclinação da caneta é de 45 graus em todas as formas, à excepção das linhas verticais com fim ornamental, que têm a espessura da caneta. Esta é uma fonte para grande quantidade de texto, com alguma preocupação pela legibilidade e leiturabilidade, mesmo para quem não está familiarizado com letra gótica. Não é adequada a nomes ou títulos, completamente escritos em caixa alta. |||||English|||||Script typeface wich simulates gothic script with a fountain pen. The Upper case letters are seven times high the pen nib. The Lower case letters are five times high the pen nib. The tilt of the pen is 45 degrees in all forms, except for vertical lines with decorative porpose, which have the thickness of the pen. This is a typeface for great quantity of text, with some concern for the legibility and readability, even for those unfamiliar with Gothic script. It should not work well with upper case names or titles. ]]> https://fontstruct.com/fontstructions/show/483435/escrita_g_tica Thu, 16 Jun 2011 20:32:29 +0000
Ana Ramalho 61494, Emanuel Oliveira 60817, Iury Marques 60973, Junli Wang 61544, Nicole Rodrigues 60884 Links úteis: http://www.flickr.com/photos/54332932@N05/5808789627/ -> Cartaz http://www.flickr.com/photos/54332932@N05/5809352564/ -> Exemplo da grelha http://www.flickr.com/photos/54332932@N05/5808787951/ -> 1ª versão, antes de formar o grupo, do "shoplifter" http://www.flickr.com/photos/54332932@N05/5808788669/ -> 2ª versão do "shoplifter" http://www.flickr.com/photos/54332932@N05/5808788837/ ->3ª e última versão do "shoplifter"]]> https://fontstruct.com/fontstructions/show/487801/diagonal_11 Fri, 20 May 2011 23:54:09 +0000
paulo teixeira bruno graça emmanuel oliveira marcos ramalheira soraia rocha marcia bandeira]]> https://fontstruct.com/fontstructions/show/487804/bite_12 Fri, 20 May 2011 19:09:57 +0000
amarílis dias 60030 andré guerreiro 60035 bárbara ferreira 59602 catarina mouta 50079 tiago santos 60696]]> https://fontstruct.com/fontstructions/show/487893/gameover_lt Fri, 20 May 2011 13:12:01 +0000
Legere. Latin root of the word 'legible.' An attempt at an original legible serif typeface. No single reference used, but I did keep the Serif section of the FontBook always open. After finishing the letters, it guess it resembles Melior or Renault. Somewhat inspired after caliopigio released Formal Roman. Maximization of composite angles were used to hammer out smooth curves in a smaller grid space. Cap height=42. I know I can make it smoother by working at twice the size, but at this point, fuggeddaboutit. 062110]]> https://fontstruct.com/fontstructions/show/326545/legere Tue, 22 Jun 2010 06:06:56 +0000
I was a little bit bored, and this is what happened. The name is because I have no idea what the origin is, and it's a little ugly.]]> https://fontstruct.com/fontstructions/show/335203/mongrel_3 Wed, 09 Jun 2010 23:41:13 +0000
052610. Another quick experiment with thin bricks. 1920's Broadway feel. 121114. Revisited the curves and smoothed out everything using subtle nudges.]]> https://fontstruct.com/fontstructions/show/330027/sonorous Wed, 26 May 2010 18:44:04 +0000
Renovare S2. Solution 2 or Serif 2. Clone of Renovare S1. In contrast to Renovare S1, a thickening of the serif makes way for efficient curved brick usage leading to a smoother and more natural slabtastic appearance. Revamped from a corrupted version of Renovare S1 and may suffer from the same instability. Handle with care. Downloaded normally for me. Please let me know if there are any problems. Thx. 052410 Edit 011915. Cap S and lc s smoothed out using nudged bricks]]> https://fontstruct.com/fontstructions/show/324072/renovare_s2 Mon, 24 May 2010 19:40:07 +0000
]]> https://fontstruct.com/fontstructions/show/323793/mrs_handicap_1 Sat, 15 May 2010 19:43:10 +0000
This font was created by a group of students from Universidade de Aveiro for the Typography course. We had to use both the font Gill Sans MT and the SCAMPER combine, so our idea was to insert lowercase details in uppercase letters, which resulted in Gill Combo.]]> https://fontstruct.com/fontstructions/show/325560/gill_combo Sat, 15 May 2010 11:42:59 +0000
Combinamond surge da junção do termo combinar com a fonte tipográfica Garamond. Propusemo-nos a conjuga-la com características do túmulo da Santa Joana Princesa o qual se encontra no museu dedicado à mesma em Aveiro. O túmulo tem formas bastante boleadas e é recheado de pormenores, bastante ornamentado.]]> https://fontstruct.com/fontstructions/show/323680/combinamond_1 Fri, 14 May 2010 23:49:21 +0000
(EN)"Adapt Bodoni" were the starting key words. developed in a typography workshop lectured by teachers Olinda Martins e Pedro Amado in Universidade de Aveiro, Portugal. (PT) resultado de um workshop de tipografia orientado pelos prodfessores Olinda Martins e Pedro Amado, na Universidade de Aveiro, onde tinhamos que adaptar a font 'Bodoni']]> https://fontstruct.com/fontstructions/show/324048/adaptoni_4 Fri, 14 May 2010 18:57:07 +0000
More to come...

Many blessings on your new year.]]> https://fontstruct.com/fontstructions/show/223369/jettletter Fri, 01 Jan 2010 08:01:16 +0000
The LOWERCASE characters are the real strength of this font.]]> https://fontstruct.com/fontstructions/show/211026/textura_prescisus Fri, 25 Dec 2009 00:12:32 +0000
Hunstrüct is my first attempt at designing a contemporary blackletter typeface within Fontstruct. The typeface draws inspiration from the long tradition of German Fraktur styled blackletters. The name Hunstrück is taken from a mountain range in Germany called the Hunsrück. Primarily I was aiming to build a face that would work well as a display type for gig posters and larger headlines but as I reworked the typeface I tried to strike a balance between text and display.

Big thanks goes to djnippa for his hard work in spacing this font properly. ]]> https://fontstruct.com/fontstructions/show/203066/hunstruct Tue, 01 Sep 2009 22:47:50 +0000
resubmission of the original fontstruction. added capitals and tweaked the overall readability.]]> https://fontstruct.com/fontstructions/show/211858/tuvalua Tue, 11 Aug 2009 15:36:23 +0000
type originally used to sign Aveiro's street names, in particularly, "Largo da Estação" - the train station square. It's part of a Typography project of the Design class from Aveiro's University.]]> https://fontstruct.com/fontstructions/show/185988/esta_o Thu, 04 Jun 2009 16:43:28 +0000