The heavy version of Capsaicin released back in 2020. Adding thickness wasn't that straightforward due to brick limitations. Alternate construction methods were implemented on the glyphs to create similar inktraps without sacrificing the innate qualities of the typeface.

I would like to continue working on it to make it more visually consistent, but I'll stop at this moment or else it might be a perpetual WIP.

Optical experiment...

This font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.

ALIEN WORMHOLE (BOLD) - Monolinear Sci-Fi-inspired 'worm' typeface.
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This is a 'Bold' style version to the "ALIEN WORMHOLE" type family.

This version has a ton of extra character compared to the 'Light' version.  
For now only the two 'Basic Latin' sets, some symbols and a small number of puctuation marks match. And it remains to be seen if I can translate back to the Light version all those extra's that were put into this Bold version.
I mentioned 'type family' earlier, but in reality there isn't a whole lot of family just yet. Since the two for now hardly correlate truly.
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Here is a link to the 'Light' version
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Stay tuned for future updates.

Cheers

first try: Raw and complex font; have fun!

my entry in heavycomp

VEROORDEELD - A geometric slab serif

This is a small type family with two style variations, see links bellow!
 • Display    Bold contrasted display version    ◄- U are here!
 • Text        Light weight monostroke version

Accidental Fontstruct remake of Senator by Emigre. Initially reconstructing the lettering seen on this book cover, later found out about it being an existing comericial font. I decided to completed it anyway. But for this reason it will not be available for downloading. Sorry...

A spur-of-the-moment project. An exploration of geometric silhouette conformation and fun Futura-based alternates (specifically, using the circles as strokes).

Glyph alternates can be accessed under the Cyrillic characters.

A stylish slanted font, an old old project from 2016 I decided to finish.

Intertwined (impossible) letter O as a starting point for a yet another experiment. Emes is a word used to express negation in my language.

A font where every letter is cut out from a square.

Inspired by the inner inktraps of Rocky Road by Baharak Pourmirzajan. An extra "g" is at the "±" glyph. The name of the font refers to the science-fiction korean series "The Silent Sea".

By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).

Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.

References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35

"Rocky" unicase font with a lot of alternates in the lowercase (also for cyrillic).

Hello again! Here's someting I started dabbling with years ago, but never finished or published. Fontstruct bricks and functions have evolved since then so I decided to give the ‘font’ a facelift and make it a little more complete (still no plethora of glyphs but I'm ok with it for now). Circus wild west meets casino and slot machines. Gambling, gunpowder, acrobats and jesters. Wash down with tequila.

Extra squared-blocky-rocky western font. Caps only. Waiter, could I have a sarsaparilla drink, please? Based on some glyphs from "Pionner" (1969) by Francisco Gonzales.