This font was initially done as a combination of CMYK colors. Although a lot of time was spent in creating that font, the vibrancy of the letters in a mixture of those colors was a garish nightmare which was difficult to look at. Hence, it is gone.
Still there's a font here somewhere. Hence this toned-down, Not (¬) CMYK version—all of the geometry, less of the disturbia.
PS: AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz0123456789!?@&*(){}[]|/\.,;:'"‘’“”«»<>-+=%|
Every possible permutation of the above glyphs generates 9,025 kerning pairs to be tested. I've only tested 2,994 kerning pairs. Then I lost steam. Whether I got them right or not is a whole another can of worms.
This is a cloneThis is something I've doodled on for a while. I'd like to incorporate shapes other than triangles and rectangles into this but I'm just too busy with other projects. Feel free to continue it, make it better, or whatever.
I had help from BWM for suggestions to improve a lot of the glyphs. Thanks, man!
This font was created around the theme of decay. I took inspiration from shapes and forms within the pieces of a badger's spine and manipulated them to construct the alphabet. Here is my blog :) > http://hollydennis.tumblr.com/ website> www.hollydennisdesign.com
What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.
The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction.
More intriguing is the 1-bit “anti-aliasing” scheme I found myself progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.
At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.
Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).
Basic accented charaters and numerals are being added as I churn through the extended character set...
Instructions: this font is designed for the creation of panoramic mountain ranges, plus some weather on a standard QWERTY keyboard. It is UPPERCASE only and makes use of the negative space left of the LEFT vertical guide to make overlays, which is why the preview looks funny.
1. Keep your shift key held down throughout.
2. High Peaks. Start by choosing an uppercase letter from the upper row (eg. "Q").
3. Low Peaks. Then choose an uppercase letter from the row below (eg. "A").
4. Foothills. Then choose an uppercase letter from the row below (eg. "Z").
5. Weather. Keeping the shift key held down, choose clouds and rain from the numbers row.
Notes:
> Remember to change each column of mountains + weather before moving on to the next.
> It looks like around 70 for text size is optimal.
> Use square brackets to start and finish your mountain range.
> Let me know if you spot a place for tweaks.
> See if you can find all the elements I forgot about!
High Peaks: QWERTYUIOP{}|
Low Peaks: ASDFGHJKL:
Foothills: ZXCVBNM<>?
Weather: !@£$%^&*()_
Voron means Raven in Russian. Alternative A H K M in russian А Н К М.
See more:
https://fontstruct.com/fontstructions/show/141323/kenaz_cyr
https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1
https://fontstruct.com/fontstructions/show/604263/viking-younger-space-viking-runes-bold
https://fontstruct.com/fontstructions/show/44785/greif_bleit
https://fontstruct.com/fontstructions/show/2138878/rockfest
https://fontstruct.com/fontstructions/show/2011132/lofty-2-1
https://fontstruct.com/fontstructions/show/1460015/kuliboni-punk
https://fontstruct.com/fontstructions/show/1594082/satana-1
https://fontstruct.com/fontstructions/show/2197826/goth-44
https://fontstruct.com/fontstructions/show/1018353/knossos
Collection of linear-interpolated circle attempts, or simply faux-Bezier circles and other curvature related materials.
This toolset basically is collection of pre-made fake circles and curves in numerous different sizes to make ones workflow easier. It could also simply serve as a educative tool that demonstrates the basic FontStruct technique used for making fake curves and circles.
Initially I intended this to be much more complete, but it is simply too much work, and would take forever to get published at once.
Please don't expect this to be perfect, a lot gets fairly close to the "real-deal".
But keep in mind that they remain raw approximations of their true Bezier counterparts. I will try to improve whatever is needed as time progresses, as well as most likely add more stuff.
--- No filters were used ---
I hope you like it so far,
Feel free to copy, re-use, improve or even destroy!
enjoy!
A hybrid font made for a friend's game.
*
See also:Fuzzy Logic
Accepting @lucapri's suggestion, here is zoubizz... now with lowercase!
This is a clone of zoubizz eYe/FS