Gob Pixi is an amalgamation of different experiments with colour, display type and visual effects throughout the years of working with a comfortable, personal design palette.

Having been obsessed with grain textures and primary + secondary colours throughout the start of 2020s, I was moved to translate that into typography after seeing Kilotype's Lofi Forest "fizzy-fying" an otherwise sharp-looking Roman/Serif.

Also, I have worked on a type project that got me to layer different coloured shadows and highlights above each other, so this is my attempt at translating that effect onto another typeface that I've shelved for quite a while now. (I happened to come up with something similar to Get Yourself Connected by chance and didn't know what to make do with it.)

a venture into neon art deco, inspired by tortoiseshell's "night lyfe" (hence the name~)

See more:

https://fontstruct.com/fontstructions/show/2344057/touchdown-wip

https://fontstruct.com/fontstructions/show/29720/konstruct_1

https://fontstruct.com/fontstructions/show/1653608/nardo-1

A basic sans serif font for coding, meant for small sizes (and it would look good in large sizes too, if it weren't for those pesky parentheses...)

Republished with Latin accents and a few new symbols. 17.04.24

Αναδημοσίευση με τη Δημοτική (εργασία σε εξέλιξη). 23.05.24

Various glyph refinements, Latin as well as Greek,  17.06.24

Abruzzo: a mountainous region in Italy. DS: dotted serif

GunFight 8 Bit font originally made for my video game "Honcho Poncho" (8x8 pixels grid), ported to Fontstruct for quick prototyping.

A recreation of the first San Francisco from 1984, originally called Ransom, by the incomparable Susan Kare.

I noticed that among the various recreations of the original bitmap fonts for the Macintosh, this iconic design was missing, so I decided to fill the gap.

I used an image rather than the font as a reference, and don’t know the intended point size, the spacing could be off, and the number of characters is unfortunately very limited.

The heavy version of Capsaicin released back in 2020. Adding thickness wasn't that straightforward due to brick limitations. Alternate construction methods were implemented on the glyphs to create similar inktraps without sacrificing the innate qualities of the typeface.

I would like to continue working on it to make it more visually consistent, but I'll stop at this moment or else it might be a perpetual WIP.

My take on a thin sans.

It should cover all Western European languages (plus Hawaiian and Hepburn romanisation).

First pass at light kerning done, will be refined with use.

Test font. Used less than 64 blocks. May expand to a full font later.

Partial greek support, Hopefully not for long

Motter Ombra, Chwast Artone... and Chemical X? Though it can't defeat the forces of evil, this typeface decides to become one of such a force. All wedgy, spiny, and slice-y, Salamander is an unnerving remix of 70s display classics. If you love alternative things, this is for you! Nothing says "I'm edgy" more than the multiple edges this typeface can serve with its strategic nooks and crannies.

About the name Salamander, this typeface's like an Axolotl, it's cool yet strange.

Initials used with the non-speech text in King's Quest V: Absence Makes The Heart Go Yonder!, (C) 1990 Sierra On-Line.  These letters were not generated using an in-game font; they were actually pre-rendered static images within the game's art assets, used in conjunction with the Sierra text font Font.004.  While the letters were centered within the 16x15 sprites, the I and J were changed to proportional spacing for use with other fonts.