I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.
This is a cloneLefty version of zavantia. It's very funny mix both fonts.
This is a clone of zavantia eYe/FSAn old updated idea: overlapping glyphs. Now with the new layers, here you are. See also zupra 3D eYe/FS.
This is a clone of zupra 3D eYe/FSAn old updated idea: overlapping glyphs, and 3D simulation with colours. See also zupra eYe/FS.
Now, with the folding effect already incorporated into the font. Some kerning issues and adjust improved too. It's more easy to change the diverse colours of central body and bright zones on the font. Enjoy.
This is a clone of zpains Xtra eYe/FSMy first colour font. My zistersoul, but now with awesome 2 layers and it's original own colours!
This is a clone of zistersoul eYe/FSAnother "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FSr escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.
@Dear and appreciated minimum: It has been an honour for me to have received from you the possibility of rebuilding my own version of your excellent font "tm Patchpanel", as a result of your very generous offer in FS of the pieces that it was made. I feel enormously lucky and grateful for that. It was also really very interesting for me to be able to go (in a certain way) into the depths of the ins and outs to build glyphs of a great master. With all this, I have dared to propose my humble version of this great font, which is this one that I am now making public. With all this, I have tried to make the grid more obvious, showing the shape of the letters inside. I've also tried not to repeat any of the glyphs of the original font, and I confess also my inability to get a good enough H. The final result appears to lack the freshness of your original font, but offers (to my mind, I hope also to you) some other qualities. I wish I hadn't demeaned the original too much and not made it too ugly. Thanks a million.
This is a cloneThis font is another of the products that a challenge as lively as TwentiesComp generates in FontStruct. You spend two weeks (or more) devising and building original and competitive fonts in a crazy race, but your brain does not stop when the Comp is over and continues through the nooks and crannies that you had demanded of it before, searching and producing new suggestions. This was one of those post-hoc ideas that came up when the fonts to present were already finished. Hope I don't detract too much with it the great level that this Comp has had. Thanks for your compreension.
Moscow, Paris, Berlin in the 1920s... Konstruktivizm, Art Deco, Bauhaus... Effervescent people! This font is for Sergei, the smiling boy in the picture, and for all the people who together built the world. See also zandrine and ztefan.
Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.
Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.
Xpanding (really!) zpains. The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the sample show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.
This is a clone of zpains eYe/FSThe font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the samples show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.
Made to make the 2nd layer for zabbaleena.
This is a clone of zabbaleena eYe/FSTwo-in-One font again (maybe 3in1?). You can write only with the uppercase, write only with the lowercase or you can mix both alternating them in a single zigzagging word: HELLO, hello, HeLlO, hElLo. Your choice, your fun. Black and more legible version of zapezipi.
Two-in-One font again (maybe 3in1?). You can write only with the uppercase, write only with the lowercase or you can mix both alternating them in a single zigzagging word: HELLO, hello, HeLlO, hElLo. Your choice, your fun.
This is a clone of zipizape eYe/FSXploring thin sides.
This is a clone of zlowler2 eYe/FSVertical twin of zugaroo.
This is a clone of zugaroo eYe/FSWhen I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.
This is a clone