Adaptation of zevilla2U, trying to make the original font usable for other purposes. Oranges and green leaves, with the smell of the azahar (the orange blossom) on the streets of Sevilla (Spain). An old idea fontstructed now with the magic of colours. Better see at big size, please.
This is a clone of zevilla2U 3D Xmas eYe/FSAn old idea from the early 2010 put in their original colours. The lowercase repeats the same coloration from the uppercase changing the position to improve the artistic view of the typing words changing some letters. Just a silly font, enjoy it please. And Happy New Year 2022!
This is a clone of ztrange blk eYe/FSInspired by the inner inktraps of Rocky Road by Baharak Pourmirzajan. An extra "g" is at the "±" glyph. The name of the font refers to the science-fiction korean series "The Silent Sea".
This is a clone of Rocky RoadWIP. This is a specially designed (but unfinished) font for this Christmas greeting with my best-best-best wishes to all of you, dear long-distance friends. And my family and I send you with this our enormous hope for the next 2022 to be much better for every one of the huge group of people who friendly use FontStruct. Be happy wherever you are and whenever you can. Warm hugs. ❤️❤️❤️! PS: Better see at big size.
This is a cloneThen I thought "How about adding a shadow? Just a little shadow for zarzaparrilla..." Hmmm, well, it was a bit more complicated than it may seem at first... But finally here it is! Ta-da-daaa! (-Phew-). Inspired on a few glyphs from "Pionner" (1969) by Francisco Gonzales.
This is a clone of zarzaparrilla eYe/FSAnother handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.
This is one of those fonts where you put yourself to work to unload the mind of other more complicated and that give headaches. It was born for a notice that encouraged to participate in the last FutureComp and now it is finished. And I like it. I must admit that it has returned me to pleasant sensations of time ago, when all was simpler.
I've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.
This is a cloneAn old updated idea: overlapping glyphs. Now with the new layers, here you are. See also zupra 3D eYe/FS.
This is a clone of zupra 3D eYe/FSAn old updated idea: overlapping glyphs, and 3D simulation with colours. See also zupra eYe/FS.
Lefty version of zavantia. It's very funny mix both fonts.
This is a clone of zavantia eYe/FSNow, with the folding effect already incorporated into the font. Some kerning issues and adjust improved too. It's more easy to change the diverse colours of central body and bright zones on the font. Enjoy.
This is a clone of zpains Xtra eYe/FSMy first colour font. My zistersoul, but now with awesome 2 layers and it's original own colours!
This is a clone of zistersoul eYe/FSI'm working to convert it in my "two layered" first font. WIP. PS: Two layered colour version here.
This is a clone of zoulsister eYe/FSAnother "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FSr escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.