132382
Published: 9th February, 2010
Last edited: 5th May, 2010
Created: 9th February, 2010
Font for my constructed script, „Emmut Modern Writing”.
Czcionka dla mojego konskryptu, „nowoczesnego pisma ęmuckiego”.
34111957
Published: 28th November, 2009
Last edited: 16th October, 2011
Created: 27th November, 2009
An ongoing try to use curves' radius as big as possible compared to the size of the letters. Alas, obviously without any optical correction whatsoever.
Using a near square grid obviously led to a Microgramma-like appearance.This is a clone of Noptical
166137850
Published: 22nd November, 2009
Last edited: 22nd November, 2009
Created: 16th November, 2009
This font consists purely of elements of musical notation. Some of the letters are a bit far fetched and it is only barely legible, but I like it, and maybe you should use it for musical notes instead of text.
16417105121
Published: 18th February, 2010
Last edited: 19th April, 2010
Created: 9th November, 2009
Alternate version of Erika. With decoration on caps. :)This is a clone of Erika
20164510
Published: 8th November, 2009
Last edited: 16th November, 2009
Created: 8th November, 2009
University project exploring the theme of 'dynamic' and how it relates to the city of Bristol. This is a clone
110265
Published: 3rd November, 2009
Last edited: 4th November, 2009
Created: 3rd November, 2009
I've been working on this font ever since studying the architecture of ships. I then proceeded to study architecture of more modern cruise vessels that are used in commercial travel to this day. Fascinated, I then went to create this font. This is a clone of Infinite Suite
26267856689
Published: 6th November, 2009
Last edited: 4th January, 2010
Created: 29th October, 2009
I produced this for my "communicating with words" first year module on the BA(Hons) Graphic Design course at UWE Bristol, England. It pays homage to Ralph Steadman and is a true testament to what you can do on fontstruct, if you’re willing to spend a week in front of a computer in your underpants.
Recently reviewed on P.C World Downloads
www.laurieguy.co.uk
70673
Published: 6th November, 2009
Last edited: 23rd November, 2009
Created: 24th October, 2009
This is for a uni project and my first ever use of fontstruct.
i have used an invert technique using triangles
throughout the letters and numbers.
hope you enjoy
213669
Published: 7th November, 2009
Last edited: 7th November, 2009
Created: 24th October, 2009
A font i created for a University brief, the font had to represent the theme of decay.
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
125102644
Published: 2nd November, 2009
Last edited: 10th October, 2009
Created: 26th September, 2009
So what's your suite look like?
A set of lowercase alphabets based on elements of an architectural floor plan. Each letter is a "room," equips with partition, stair, table, window, or a bed.
After constructing you word, be sure to print it out, take a red pen and guide yourself through the rooms; no matter the arrangement, you will be able to travel from beginning to end.
Designer Features:
letter "o" features a central balcony looking down below.
letter "v,"w" have a wedged corner; perfect for study area.
letter "x" and "i" are grand staircases, boosting the grandeur of your creation!
Hope you will enjoy this unique typeface, and feedback welcome!
41109510
Published: 19th September, 2009
Last edited: 8th January, 2012
Created: 19th September, 2009
LE = Lost Entropy; Meta = metachrome. This is font with a special property: at selected sizes it displays a special dual-colour effect. This is a clone
711010011
Published: 31st August, 2009
Last edited: 8th January, 2012
Created: 31st August, 2009
A modular blocky typeface. The capitals are made of bombs, the lower case letters are made of human figures, the rest is made of white crosses. Limited character set.
14175536
Published: 6th October, 2009
Last edited: 21st September, 2010
Created: 29th August, 2009
It's fun to work with negative spaces for a change.
The 'i' is as wide as 'm' & 'w'.
2692017889
Published: 22nd February, 2010
Last edited: 22nd February, 2010
Created: 15th August, 2009
Bubblemania!
Named after a bubble tea/wing restaurant in Calgary. It's been on the back burner for a while. I wanted to fill out the "More Latin" set a little more, but I think it's ready to be released. If I have time, I'll add more characters.
Also, it's quite pixel-friendly. Check it out.
"Construction Kit" available on the swung dash (~) so you can make your own bubbles :)
6081540191
Published: 31st July, 2009
Last edited: 31st July, 2009
Created: 31st July, 2009
The Pet Shop Boys had a competition to design the poster for their North American tour to support the Yes album.This was one of the submitted entry, designed by CrowdSpring user k_anderson [not me]. This font is an expansion of his/her idea.This is a clone
411639
Published: 30th July, 2009
Last edited: 30th July, 2009
Created: 30th July, 2009
A work in progress...
An attempt to construct upper and lower case using only a square and intersecting diagonals.
Some characters are repeated and others tenuous, so suggestions always welcome...
31645444325
Published: 4th August, 2009
Last edited: 1st August, 2009
Created: 27th July, 2009
The letters can easily be made more legible. But it gets to be FUN & a-MAZE-d. Every letter/word has a solution. 4 types of spaces: space bar, @, #, %. Try it.
6332978182
Published: 8th August, 2009
Last edited: 12th August, 2009
Created: 24th July, 2009
To get the overlapping effect, type in Caps and end word with small letter.