964266
Published: 15th May, 2008
Last edited: 25th August, 2008
Created: 15th May, 2008
Geometric Sans Serif; Designed to be used as a pixel font; Design includes subpixel shading to add subtlety to harsh squared corners when viewed at 12pt. Uppercase and punctuation to come...
3012062
Published: 14th September, 2008
Last edited: 22nd September, 2008
Created: 13th September, 2008
Techno-style font. Inspired by Planet Kosmos. Updated with all the punctuation now, as well as Latin extended.
250844
Published: 6th November, 2008
Last edited: 24th November, 2008
Created: 5th November, 2008
Clone of neustrukt by reaktivo. Adds and Fixes some alternative characters, currently in beta.This is a clone of neustrukt
141642
Published: 8th February, 2009
Last edited: 17th February, 2009
Created: 8th February, 2009
This is bastard version of blokinjo. Quick edit of original font and reference to one NEU BAU and numerus other fonts. It is not funcional, but it is nice to look at.
I dont think that I will develop this type any more.This is a clone of Blokinjo
202823
Published: 2nd March, 2009
Last edited: 8th March, 2009
Created: 1st March, 2009
Another 60s-Style Slab Serif font, suitable for Headlines...hope you like it! Check out the example! Maybe I´ll add some numbers later.
13708015
Published: 9th June, 2008
Last edited: 16th June, 2009
Created: 9th June, 2008
More of the same here... but this time in 3D! For best results use with 'Picchu Background'
292109831
Published: 8th January, 2009
Last edited: 23rd June, 2009
Created: 6th January, 2009
It's like Helvetica. But bitmap and not solid and all scraggly and stuff.
6741320626
Published: 15th April, 2009
Last edited: 23rd June, 2009
Created: 26th February, 2009
// Singularity
// Designed in April 2009
// by Jared Benson
//
// Part of the Singularity Family
// created with Fontstruct
//
// Also see:
//
// Singularity Ligatures
// Singularity Chunk
// Singularity Chunk Ligatures
//
Singularity was born out of a love for gnarly ink traps.
320551100226
Published: 27th May, 2008
Last edited: 23rd June, 2009
Created: 27th May, 2008
Now kidnappers can save time and type their notes rather than cut letters from newspapers!
6358216
Published: 23rd July, 2009
Last edited: 26th July, 2009
Created: 8th July, 2009
For those who need to fill a long width with few characters, like the spine of a book or CD jacket.
411639
Published: 30th July, 2009
Last edited: 30th July, 2009
Created: 30th July, 2009
A work in progress...
An attempt to construct upper and lower case using only a square and intersecting diagonals.
Some characters are repeated and others tenuous, so suggestions always welcome...
31645444325
Published: 4th August, 2009
Last edited: 1st August, 2009
Created: 27th July, 2009
The letters can easily be made more legible. But it gets to be FUN & a-MAZE-d. Every letter/word has a solution. 4 types of spaces: space bar, @, #, %. Try it.
6332978182
Published: 8th August, 2009
Last edited: 12th August, 2009
Created: 24th July, 2009
To get the overlapping effect, type in Caps and end word with small letter.
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
125102644
Published: 2nd November, 2009
Last edited: 10th October, 2009
Created: 26th September, 2009
So what's your suite look like?
A set of lowercase alphabets based on elements of an architectural floor plan. Each letter is a "room," equips with partition, stair, table, window, or a bed.
After constructing you word, be sure to print it out, take a red pen and guide yourself through the rooms; no matter the arrangement, you will be able to travel from beginning to end.
Designer Features:
letter "o" features a central balcony looking down below.
letter "v,"w" have a wedged corner; perfect for study area.
letter "x" and "i" are grand staircases, boosting the grandeur of your creation!
Hope you will enjoy this unique typeface, and feedback welcome!
110265
Published: 3rd November, 2009
Last edited: 4th November, 2009
Created: 3rd November, 2009
I've been working on this font ever since studying the architecture of ships. I then proceeded to study architecture of more modern cruise vessels that are used in commercial travel to this day. Fascinated, I then went to create this font. This is a clone of Infinite Suite