160653
Published: 15th November, 2010
Last edited: 15th November, 2010
Created: 11th November, 2010
This sans serif is an extended typeface that uses only uppercase letters that are wider than they are tall disregarding x-height. FatBot Sans is named so because of the expression of letterforms that look robotic but are extremely exaggerated in the extension and have fatty qualities. Imagine an obese robot sitting on a sheet of paper, that is the nature of FatBot Sans.
5312399218
Published: 20th September, 2010
Last edited: 4th October, 2010
Created: 3rd September, 2010
If you like this font please share and add it as favor it or if you use it for your work/seen it anywhere please let me know here.
Hope you all enjoy this :)
2110827
Published: 25th April, 2024
Last edited: 27th September, 2010
Created: 19th September, 2010
A reconstruction of some of the original GUI elements found on FontStruct, as a FontStruction on FS! :)
The design elements are (c) FontStruct/Rob Meek/FSI FontShop International (excluding MS-style cursors). This is meant as JUST a fanart and is not meant to infringe on the authors' rights.
---
This font is meant to be viewed and used at PXL sizes (12 px and multiples).
---
This pictographic font is a WIP (work in progress). Any suggestions are welcome!
---
Changelog:
*20 September 2010 — Added new glyphs (FS GUI elements/artifacts + some cursors & GUI widgets, like radio buttons). Notable additions include the FS web browser favicon (in 2 versions!) and the social networking icons found under the "Tell the world" dropdown option.
Also changed the picture-to-letter mapping, this requires further improvements, though.
*27 September 2010 — 11 new GUI image elements/artifacts were added after suggestions by other FontStructors:
1. The clone icon (Dolly the clone sheep)
2-4. "Add fave", "My fave" and broken-hearted "Drop fave" versions of the heart icon that can be used to keep track of your favorite FontStructions
5-6. Two (2) versions of the current FontShop favicon (faux anti-aliased and B&W contrasted)
7. A rectangular FontStruct mini-banner that appears when embedding a FontStruction into an external website
8. "FontStruct is brought to you by" text from the same embeddings
9. Small negative/inverted upwards arrow (I always seemed to forgot to add that one up until now)
10. The e-mail icon from FontStructor userpages, and
11. The pixel rating ‘voted’ tick mark.
*[next version]
P.S. Any suggestions, comments and ideas are again appreciated, welcome & even encouraged! :D
3141297
Published: 1st April, 2010
Last edited: 19th September, 2010
Created: 1st April, 2010
My new experiment in making a pixel font using a larger grid of blocks (13x11 px).
I was aiming at a look that matches the retro feel of pixel fonts used in console games.
It's still in development, so expect to see some minor changes, as well as the addition of new glyphs. I'm also still trying to come up with better versions of the punctuation glyphs. Minuscule lowercase letters are also planned.
NOTES:
For use at sizes which are multiples of 12px (12, 24, 48 and so on). For Flash usage, use multiples of 4. Derivative fonts are allowed, just respect the license.
CHANGELOG:
*26 May 2010 - changed the long W letter to an inverted M letter for consistency of font length and width.
*14 August 2010 - added even more Basic Latin glyphs (only the lower case letters are still missing there), changed some symbols a bit, also added some More Latin typography, as well as partial Basic Cyrillic support. :)
P.S. I might add more glyphs to this font in the future. Comments and suggestions are greatly appreciated! :)
1762533
Published: 25th April, 2010
Last edited: 7th August, 2010
Created: 25th April, 2010
RWHO invented Ahtialan Script, when he was five years old (1995). In 2009-2010 he presented it on Polish Forum Conlanger. Now I made font for it. The font isn't completed yet.This is a clone of AHTI
50424
Published: 19th May, 2010
Last edited: 19th May, 2010
Created: 19th May, 2010
Alphabet for my vowelless conlang Chomicki, used by Nommip hamsters. The conscript is made from turned letters of Latin, Greek and Cyryllic.
132382
Published: 9th February, 2010
Last edited: 5th May, 2010
Created: 9th February, 2010
Font for my constructed script, „Emmut Modern Writing”.
Czcionka dla mojego konskryptu, „nowoczesnego pisma ęmuckiego”.
70673
Published: 6th November, 2009
Last edited: 23rd November, 2009
Created: 24th October, 2009
This is for a uni project and my first ever use of fontstruct.
i have used an invert technique using triangles
throughout the letters and numbers.
hope you enjoy
166137850
Published: 22nd November, 2009
Last edited: 22nd November, 2009
Created: 16th November, 2009
This font consists purely of elements of musical notation. Some of the letters are a bit far fetched and it is only barely legible, but I like it, and maybe you should use it for musical notes instead of text.
213669
Published: 7th November, 2009
Last edited: 7th November, 2009
Created: 24th October, 2009
A font i created for a University brief, the font had to represent the theme of decay.
110265
Published: 3rd November, 2009
Last edited: 4th November, 2009
Created: 3rd November, 2009
I've been working on this font ever since studying the architecture of ships. I then proceeded to study architecture of more modern cruise vessels that are used in commercial travel to this day. Fascinated, I then went to create this font. This is a clone of Infinite Suite
125102644
Published: 2nd November, 2009
Last edited: 10th October, 2009
Created: 26th September, 2009
So what's your suite look like?
A set of lowercase alphabets based on elements of an architectural floor plan. Each letter is a "room," equips with partition, stair, table, window, or a bed.
After constructing you word, be sure to print it out, take a red pen and guide yourself through the rooms; no matter the arrangement, you will be able to travel from beginning to end.
Designer Features:
letter "o" features a central balcony looking down below.
letter "v,"w" have a wedged corner; perfect for study area.
letter "x" and "i" are grand staircases, boosting the grandeur of your creation!
Hope you will enjoy this unique typeface, and feedback welcome!
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
320551100226
Published: 27th May, 2008
Last edited: 23rd June, 2009
Created: 27th May, 2008
Now kidnappers can save time and type their notes rather than cut letters from newspapers!
6741320626
Published: 15th April, 2009
Last edited: 23rd June, 2009
Created: 26th February, 2009
// Singularity
// Designed in April 2009
// by Jared Benson
//
// Part of the Singularity Family
// created with Fontstruct
//
// Also see:
//
// Singularity Ligatures
// Singularity Chunk
// Singularity Chunk Ligatures
//
Singularity was born out of a love for gnarly ink traps.
292109831
Published: 8th January, 2009
Last edited: 23rd June, 2009
Created: 6th January, 2009
It's like Helvetica. But bitmap and not solid and all scraggly and stuff.
13708015
Published: 9th June, 2008
Last edited: 16th June, 2009
Created: 9th June, 2008
More of the same here... but this time in 3D! For best results use with 'Picchu Background'