Two-in-One font again (maybe 3in1?). You can write only with the uppercase, write only with the lowercase or you can mix both alternating them in a single zigzagging word: HELLO, hello, HeLlO, hElLo. Your choice, your fun.

Sorry. It's the effect of the excess of Xmas cakes on these past days...   ; ) 

LosAngeles001. First font by TodayLA Studios. Inspired by graff and sci-fi.

See more:

https://fontstruct.com/fontstructors/1104892/sychoff/favorites?tagId=19&tag=3d&tagType=fave

https://fontstruct.com/fontstructions/show/1517161/marengi-scans

NICE OF THE FONTSTRUCTOR TO TRACE OUR FONT, EH, LUIGI?

Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.

ASCII + Cyrillic.

We Shall Fall is the flipside of We Shall Rise, both are bold, hard, strong fonts with a spirit of protest about them.

A rounded take on alarm clock screens.

Contains 0-9 and ":".

Recreation of the pixel font from Konami's "Devastators" (aka "Garuka", 1988). Only the characters present in the game's tile set have been included.

An open source 8-bit font I'm working on. It's easier to make unicode for pixel fonts. I'm trying to make it all fit into an 8x8 to stay true to the NES.

The regular version for STF_UNI

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UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

Shadowed version is found here: 

https://fontstruct.com/fontstructions/show/1605019/stf-uni-shadow

Enjoy!

This is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Cartographic" (sans-serif) font, plus a number of glyphs imported from the "Mathematical" font, as well as many additional glyphs drawn in the same/similar style to the original glyphs. This font actually dates to at least as early as June 1963, as it is featured on some diagrams in Hershey's "The Plotting of Maps on a CRT Printer" paper.

The font may be loosely based on the "Lightline" font.

MTA Countdown Clock LINE ICONS, ARROWS, ETC...

Kulibin or Kulibyaka? Kulich?

See more:       https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov

https://fontstruct.com/fontstructions/show/152204/unispace

https://fontstruct.com/fontstructions/show/942604/lexiconius

Eda (by Alexander Tarbeev)

http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

http://www.myfonts.com/fonts/shinn/scotch-modern/         

http://www.myfonts.com/fonts/artlebedev/mirta/

Kostro, 21 Cent  (https://yurigordon.com/ru/shop/fonts)

Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)

Marian family(19c), Caponi (https://commercialtype.com/)

https://www.paratype.ru/pstore/default.asp?fcode=PT_FIL&letter=F

http://www.myfonts.com/fonts/itc/caslon-no-224/

https://www.paratype.ru/pstore/yfonts/ITC-Bodoni-72.htm

http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-cyrillic/text-light/

http://www.myfonts.com/fonts/redrooster/poor-richard-rr/monoline/glyphs.html 

https://www.colophon-foundry.org/typefaces/peggs/

a full version of the font commonly seen only as NYC in New York City