This.

My third and final entry for ColorComp.

A modular colour font inspired by toy bricks and soft plastic textures, suggested to use in large sizes.

A shaded pixel font that has been cast out of metal (iron by default, but it can be recolored). Based off of my fanmade Minecraft items, and especially the mod Tinker's Construct (which this font is named after). I was inspired to create this font by Petruccio's "Brass Ingots".

Tools and other metallic items can be found in the PUA block.

What if Bank Gothic tried to dress up as Copperplate Gothic for Halloween?

A font designed after those jigsaw foam mats you see in nurseries, sometimes with removable letters or numbers.

Fun fact: these colors were picked from the Fontsructor UI!

the osd font as seen on various lg flatron lcd monitors from around 2006-2009. each character takes up a 12x18 space.

i took closeup photos of the osd as well as the service menu on my flatron l192ws and i just started counting pixels in order to determine the size of each character tile and then draw the characters themselves (i made sure each individual pixel could be clearly seen in my photos, i didn't make any estimations whatsoever and i triple checked everything. yes, the forward slash is that offcentered in the original character set, and the full stop is not in line with the rest of the characters.)

i also had a look at a dump of the firmware for my model of monitor and it turns out the k, the x and the z are indeed the only lowercase letters that exist. the full stop/decimal point, the forward slash and the colon are the only non-alphanumeric glyphs as well, as far as i could tell by squinting at the hex editor anyway.

In the font preview window above, click Pixel and then Shift+Pixel 4 times to see the full effect of the font.

I remember from back when I was learning Japanese, that the stroke order in writing hiragana, katakana, and kanji was important. I didn't get very far in my Japanese studies, but even then some of the kanji were like 17 strokes each, and each with a specific order of marking the strokes. Thinking of what would be appropriate for a number competition, I recalled the number and order of strokes per glyph idea. Hence, this font. 

The idea brought with it an inherent text font sensibility. Deciding on the slope of the diagonal strokes was tricky as they rendered those letter either too wide or too narrow. The correct choice was a slope with a flat top or bottom. That allowed the width of the letter whatever I wanted but the flat top took away from the natural marking of the stroke, as in: no one actually writes an A with a horizontal top stroke. Settled on the current slope and width. Still, the letters came together fairly quickly; the kerning not so much. Whether they were adjusted or not, around 10,000 kerning pairs were checked. More than 2500 kerning pairs are included here...and many more still remain. How good or consistent the kerning is is for other's to judge.

Some of the glyphs are quirky, I know. There are already hundreds of thousands of exceptional standard text fonts. No point redoing those. 

Due to the need to show the strokes individually, the font came out as stencil. That was an unintentional byproduct of the idea.

Some strokes are split in two to show distinction between the crossing strokes, but technically they would be continuous. 

The strokes are based on my own handwriting style; others may do it differently. For example, when being careful, I write the Z in three strokes, whereas I suspect others probably write it in one. 

This is not a color font even though it is auto-charcterized as one because at one point I experimented with making the stroke-order numbers gray. I thought about copy-pasting the glyphs in a new FS, but the follow-up thought of having to redo the kerning quickly put a stop to that madness.

For best view of the font, download & install and check out some long block of text in Word with kerning turned on. (This articles explains how to activate kerning in Word.)

A nonogram font. Some variation between uppercase/lowercase letters, alternative 2/7 on < >, and an extra Y on ^. I originally made this in a 5x5 grid, but there were too many glyphs with multiple solutions, so I had to remake the whole thing. (You can still see the original style in the small numbers)

Every printable character in the strict 7-bit ASCII set, with handy decimal, octal and binary numerical codes attached (no hexadcimal, as it involves letters ;-)

Height 3 / Width 2 / Filters Ø 

Numbers count.

Originally started as something small for the actual competition, but later found the geometry being easily transferable even to other glyphs.

Juhachi means eighteen in Japanese

Quick and simple monospace pixel font I made for a project I am working on. 5x5 pixel core with 1 extra to the right for spacing as well as 2 pixels above and below for varying character sizes.

Will continue to add to in the future.

Recreation of the international character set for ASCII Corporation/Spectravideo's MSX computer (1983).

The majority of the characters (with a few exception) have been mapped to their respective modern unicode points.

The recreation also includes a few additional accented and special characters from the Brazilian/Portugese variant. Beyond these, only the characters present in the original ROM have been included.

The font used for Pokémon Emerald, with Eastern European, Greek, and Cyrillic support.

NEW July 2024: Added Armenian support; Japanese to be finished later