The bold version of Krmbpr.

Runic was the hardest charset to make bold glyphs of. Try to avoid using runic with the bold font whenever possible.

Ligatures "ff" and "tt" are at the "fi" and "fl" glyphs.

See more:

https://fontstruct.com/fontstructions/show/1310761/singularity-c

https://fontstruct.com/fontstructions/show/410259/bootlegger_speakeasy

Pixel Slab Condensed

Work in progress.

Hello again! Here's someting I started dabbling with years ago, but never finished or published. Fontstruct bricks and functions have evolved since then so I decided to give the ‘font’ a facelift and make it a little more complete (still no plethora of glyphs but I'm ok with it for now). Circus wild west meets casino and slot machines. Gambling, gunpowder, acrobats and jesters. Wash down with tequila.

Have you ever tried to add more glyphs to a font you haven't touched for months? Cause I always struggle when I try it… Nevertheless, I'll try to add some more characters as soon as I find time and motivation

This font has been almost 3 years in the making. Mostly because how tedius it was to keep copying the same "bricks" over and over.  I'm glad it is finished enough to share. I may or may not (most likely) add more glyphs later.

First try.

This design was created as part of the TwentiesComp. Too bad, due to lack of time, it was not finished.  I realize db Pontus still needs a bit of time and patience to be ready (glyphs, kernig etc...) However, I just want to introduce db Pontus in this context already ; ) 

Decoreus. I love this one, which usually means nobody is going to like it. Thanks beate for coming up with the 20's theme for the TwentiesComp. I don't think I would have come up with this otherwise. 

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

Happy 13th BD, FontStruct! WIP (kerning).

The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the samples show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.

So the idea behind this one is that as you type you're creating a city scene.  The spaces are empty intersections.  The slash marks are slightly askew telephone poles.  The quotation marks are flocks of birds.  Etc.  From a distance it can be a bit illegible.  It's primarily meant for large letters or close up scrutiny.

Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric.  It' s possible to work with him and maybe Emil will go one step further towards italics...?