See more:
https://www.fontstruct.com/fontstructions/show/745462/fin_struct
https://fontstruct.com/fontstructions/show/859972/exoskeleton_1
https://fontstruct.com/fontstructions/show/1537396/tadpole-4
https://fontstruct.com/fontstructions/show/949368/1_brick_letters
https://fontstruct.com/fontstructions/show/875415/zcaremyself_eye_fs
https://fontstruct.com/fontstructions/show/885633/zyrup_eye_fs
https://fontstruct.com/fontstructions/show/106/nouveau_modular
https://fontstruct.com/fontstructions/show/1473733/diagonia
https://fontstruct.com/fontstructions/show/2385011/tilecipher
This is a clone of MS Micro~IshAn extension of ideas present in "Gehenna".
OTTO FONT SCHIRACH - Art Deco tile mosaic lettering design.
It's designed to craft layers of typographic mosaics. It can create very subtle clear display text combinations when only layering text with just one or two backgrounds max. This will result in nice retro-ish mosaic typography. But beware, combining two or more background patters with for example different blending modes on each layer, this seemingly peaceful boy becomes capable of recreating the big bang!
All patterns are located in the Unicode block for Block Elements!
You know what, lets make this one clonable for everyone.
Enjoy!
Surprise! It's pizza time!
Maybe it's not a surprise.
Using only 3 pieces on a 2x2 grid is extremely limiting, and just makes me want thinner pizza slices.
E.g., E, which makes a great C
H, which I probably could've done better, but...?
K, ?
L, just because
W, i dunno
X, which along with K, could use a 45 degree turned half-quarter? (E could use a quarter-quarter)
i, should I make it an upside-down ! or upside-down T?
j, which is actually about as good as I can get it but you know
?, same reason I think
!, My original idea for i turned upside-down, since i upside-down now is just T
The first of a kind - an experimental font made with the new pizza slice brick. :D
Somehow it makes me think of jukeboxes, particularly letters like "A" and "O" which have the same sort of "mosaic lighting" look which many jukeboxes have.
No filters, just nudging!
Nirvanite Fossil with round shapes changed to diamonds.
I think this one is the toughest to read in the family - even harder than Nirvanite Pixel. Oh well!
This is a clone of Nirvanite FossilSome kind of great big ol' chain.
In retrospect, I think it looks like a jewelry chain from a dwarven civilization. Perhaps the hypothetical jeweler cut and ground the stones in an imitation of some dwarven font!
When glyphs are used in isolation, they somewhat resemble carved signets or seals. Increasing the letter spacing allows you to create a variation of the design. (This is something that must be done in-software since the font will render as monospaced by default.)
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12SEP2018: Added lowercase... the low resolution combined with the design method make it very difficult to render distinctive lowercase versions of every letter, but I'll keep working on it. There's a lot of similarity between pairs like S/5, Z/2, etc., so this font is most effectively used in forms of writing wherein context suffices to inform the reader as to the identity of each glyph (lists, prose, and technical writings). If you want to use this in a password system or something, I recommend using one case's glyphs only.
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Design Rules:
1. Negative spaces will be areas of 0.5 bricks' effective length or width.
2. Negative spaces may exceed the 0.5 measurement only by increments of 0.5 and in only one dimension at a time.
3. Glyphs will fill their framed canvasses to the greatest extent possible while adhering to the other rules.
A font with a vague "selected text", "telegraphed message" or "hacker terminal" feeling about it. Seems like something that would be in a video game or creepypasta...
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Original size: 5.25pt (use multiples of this size for pixel perfection)
Aenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.
This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!
This is a clone of NirvaniteExperimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
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Design Rules:
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
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Original size: 20.75pt (use multiples of this value for pixel perfection)
See more:
https://fontstruct.com/fontstructions/show/1450250/treetops
https://fontstruct.com/fontstructions/show/1294710/mx-hbs-alt
https://www.fontstruct.com/fontstructions/show/473688/shishoid
https://fontstruct.com/fontstructions/show/1593059/codework-1
https://www.myfonts.com/fonts/justanotherfoundry/mashine/
https://fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr
https://fontstruct.com/fontstructions/show/87805/pyramid_1
https://fontstruct.com/fontstructions/show/203704/tagliana
https://fontstruct.com/fontstructions/show/178834/octastruct
https://fontstruct.com/fontstructions/show/1576255/f77-blockie
https://fontstruct.com/fontstructions/show/619723/the_45_alt_01
https://fontstruct.com/fontstructions/show/217312/track_filled
https://fontstruct.com/fontstructions/show/249112/ncd_phusion_bold
https://fontstruct.com/fontstructions/show/207773/comitto
https://www.fontstruct.com/fontstructions/show/1572485/f77-handwrite-1
https://fontstruct.com/fontstructions/show/229356/thm_thin
This is a clone of DigitalisSee more:
https://fontstruct.com/fontstructions/show/171/boxy_2
https://www.fontstruct.com/fontstructions/show/1606624/lancip
https://fontstruct.com/fontstructions/show/632027/av01_knifelock
https://fontstruct.com/fontstructions/show/44785/greif_bleit
https://www.futurefonts.xyz/elena-schneider/halunke
https://fontstruct.com/fontstructions/show/38623/next_level
https://fontstruct.com/fontstructions/show/630659/eldsie
https://fontstruct.com/fontstructions/show/1554645/stf-psyk0punk
https://fontstruct.com/fontstructions/show/45177/gothpix
https://fontstruct.com/fontstructions/show/851412/5strukto
https://fontstruct.com/fontstructions/show/680340/rbeats
https://www.myfonts.com/fonts/fsdesign/etoxina/
https://fontstruct.com/fontstructions/show/380375/modicum
https://fontstruct.com/fontstructions/show/466440/h_bor_ja
https://fontstruct.com/fontstructions/show/1175803/indubitable
https://fontstruct.com/fontstructions/show/148002/fs_firox
https://fontstruct.com/fontstructions/show/778675/gf_3x7
https://www.fontstruct.com/fontstructions/show/975466/turret_2