THERE YOU GO, @bluemon . I DID THE BEST THAT I COULD WITH THE CYRILLIC (THE ONLY THING THAT I TOUCHED). I’M REALLY PROUD OF THE CAPITALS. MOST OF THE LOWER CASE IS OKAY, BUT A LOT OF LOWER-CASE CYRILLIC LETTERS HAVE THEIR OWN “SUB-X-HEIGHT” IF YOU KNOW WHAT I MEAN, SO THEY’RE BASICALLY JUST THE CAPITALS BUT SMALLER. THAT WAS QUITE HARD TO WORK AROUND, SINCE THAT FEATURE IS COMPLETELY NONEXISTANT IN THIS FONT (SEE YOUR LETTER: “s”). SO I’M NOT VERY HAPPY ABOUT “э”, AND KIND OF RESORTED TO THE HANDWRITTEN FORMS FOR: “в”, “д”, “з”, “и”, “й”, “у”, “ц”, “ш”, and “щ”. I DON’T KNOW, MAYBE @Dmitriy Sychiov (Sychoff) CAN POLISH IT OFF!

OH, AND I DIDN’T KERN ANYTHING, THERE’S A LITTLE PRESENT FOR YOU :D

This is a attempt at starting another collaborative FontStruct community project to thank for a decade of FontStruct's web application and pay homage to its creator, Rob Meek.

The first initiative for a community collab fontstruction originally came from fellow user Funk_King, and resulted in FS Collaboration 1. A second round of creative collaborations was proposed by Geneus1, which resulted in World of Thanks. Two exceptional expressions of gratitude towards each responsible for making the FontStruct web application available, featuring contributions by various community members.
Now, more than 9 years after the second round World of Thanks was published and (sadly) had last seen activity, I thought It would be a great idea to celebrate a fontastic decade under the belt of FontStruct.

Therefor I'd like to propose a third round of creative collaborations.

This is an opportunity for all users who have missed out the first two rounds, and say 'Thank You' for the awesome, worlds most accessible, freely available font creation application, that is FontStruct.

All credits for this concepts originallity should go to Funk_King, as it was his brainchild, and I most likely would've never came up with it myself.

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Guidelines are fairly simple (but could possibly change at a later stage)

1.) Send a message to reserve your glyph('s) (up to 3 max.). People added to the list will be sent the info to access the collab account.

2.) Say 'Thank You' in your own words/language. (Spanish, French, Italian, etc.)

3.)Work should only be done on your own glyph(s), unless approved by the original designer!

4.) The size of the glyph('s) should roughly be between 32 and 64 bricks in height.

5.) The current person working on the font must inform the next person on the list that they are finished, so work will not be lost by working simultaneously. As well as keep the project running.

6.) Once finished, add your username, language and/or glyph description here at the bottom.

7.) If you are posting a message in the comment section from the collab account, end the message with your original username, so we know who you are.

8.) When possible, post a sample image of your contribution in action. below in the comment section.

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The initial font was cloned from DJNippa's 'All Composites saved in MY BRICKS' (big thanks to this user for allowing me to use this fontstruction brick toolset).

It has been slightly modified, removing all bricks from the editor grid, preserving only the saved set within the 'My Brick' pallet. The small square shaped brick in 'My Bricks' that is used as glyph indicator also marks the end of DJNippa's brick tool set. All bricks beyond this point are most likely the result of of glyph-specific composites and should under no circumstances be modified what so ever.

It is also possible to work on your personal FontStruct account by manually cloning DJNippa's or this font, and once you finished your glyph(s) simply copy/paste it from your account into the collab account.

Have fun structing!

--Sed4tives

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FORMAT:

ｌｅｔｔｅｒ-(ｄｅｓｃｒｉｐｔｉｏｎ) ｗｏｒｄ (ｌａｎｇｕａｇｅ), by user

A-(Ligatured Sans) Bedankt Fontstruct! (Dutch), by Sed4tives, B-(Stencil Sans) Bedankt (Dutch), by Sed4tives, C-(Circular Display) dankjewel (Dutch), Sed4tives, D-(Minimalism) 謝謝 (Mandarin Chinese), by JunYou, E-(Artdeco) 謝謝 (Mandarin Chinese), by JunYou, F-(Minecraftio) !תודה (Hebrew), by BWM, G-(Rainy Days) ¡Gracias! (Spanish), by BWM, H-(DYMO LetraTag Interface) ghIlDeSten! (Klingon), by BWM, I-(description) 고맙습니다! (Standard Korean), by Bluemon, J-(description) word (language), by user

5x5 pixel serif design with no wasted matrix AND no kerning! For a long time I didn't think such a design was possible, but here it is.

Formerly known as "Specula".

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By request, a font with the two-toned look of a Pokéball. No filters! The Pokédollar sign can be found on "¢" and a Pokéball is on "•".

"Eviolite" is an item that powers up the defenses of Pokémon that are not fully evolved. Looks like a lavender-colored gem.

Version 1.3: Added Polish.

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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.

"Nervousa" is an anagram for "Ravenous".

You dipped a spoon into the [masterwork Azwelke alphabet soup] and retrieved... this!

Something "fun". Inspired by the many journeys I've made and by train travels. And by my grandchildren's train toys. The angular design echoes small table tops we sometimes use to put the tracks on ...

UC is normal weight and is used in the sampler (font name). LC has some thicker lines for increased legibility although this font is only meant to illustrate concepts (travel, finding new ways, diversification etc) or for logos, shop signs, invitations and similar. Not simple enough for use in anything long or complex that has to be easily read.

AZUL is BLUE in Spanish. I choose the word blue because it always reminds me of ultra bold fonts. But i feel like just "BLUE" looks dumb so i choose "AZUL" instead. Btw blue in Chinese is "lan". Just imagine "LAN" as it's name lol.

Least important stuff :

I got this idea when i was thinking about if I design a poster for a JoJo character. it'd be Kira Yoshikage. And I was like "Gotta need a ULTRA bold font to show he's really danger" Now you know this totally unuseful thing :P

A little more important stuff : 

This font is free for all use.

DO NOT PRESS THE B SYMBOL WHEN YOU USE THIS FONT. SERIOUSLY, DO NOT

lqi laugh quietly inside 

This font is based off the theme 'Wicked'. This is just a draft, but it is a complete set so I will leave it up to show my progress. This font uses spooky dead trees to make letter forms. This was not intended to have anything to do with Halloween, but the full set of characters was completed on this fateful 31st. Feedback is welcome! 

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.