Am Just trying this...

Lewis from GEOS FontPack PLUS for the Commodore 64.

Another Old West font... normally I don't care much for them, I never warmed to Playbill.  Lewis feels like it's got a bit more space - almost a cross between Playbill and Italian Print.

  Eclectic font. You can even make a led T-shirt for a party. Cyrillic caps while remaining eclectic refers to its Soviet past. 

See more: Dalliance

https://fontstruct.com/fontstructions/show/987964/grand_hyperion

https://fontstruct.com/fontstructions/show/305748/fs_burtonesque

https://fontstruct.com/fontstructions/show/1123407/medieval_robots

https://www.fonts.com/font/linotype/devinne/ornamental-regular 

Blackletter. WORK IN PROGRESS suggestions welcome!

See more:

https://fontstruct.com/fontstructions/show/1649466/stf-giggity-blackiti-boo

https://www.behance.net/gallery/38511429/Zephyr-Free-Font-Family

Text maker online gfto.ru

Designed for those members who want inspiration, it could guide them when they need ideas on which to base a font. 

Use this like a font: close your eyes and type a 'word' with at least 7 letters.

If you can touch-type: forget it; you'll need to be quite unstructured in order to get a good variation of letters every time you want inspiration ;) If you want some uncertainty -bad spelling will be very helpful here;)- you could write the 'name' of the minute when you decided to get inspiration for a new font , in UpperCase  ... then follow this with one of your names in LowerCase. But for fun and better chance at not getting the same word every time you need inspiration I suggest you just hit different keys and then look at the line of glyphs ;)

Just remember: use UpperCase to write the first part of this word, the LowerCase to write the other part of the word. Look at the [second or] fourth and the [penultimate or] third before last letter of your 'word'.

The UC will give you an 'image'. Your font will transmit the meaning illustrated by this letter (in the widest sense).

The LC gives the type of look your font should have. You now have 2 guides/ideas/starting points which influence the kind of font you make. 

Remember that the UC should make you look at concepts, invisible messages and your own experience or lack of 'ken', as well as the visible things in the images I drew.

To express that differently:

Your font design is guided by a main theme (based on the UC) and a way to present it/a style of expression (based on the LC).The font will be influenced a little or a lot by each UC 'image';  you adjust the look of your font according to the "feeling"/a memory/a dream or wish/an experience/lack of familiarity that you have about what that which my playful  pixel illustration represents.

The presentation of the font, the style, how the eye slides across  to absorb information or spends time to investigate the beauty or quality of every glyph, is determined by the LC.                               Combine these two aspects from UC and LC, that"s what your font will convey through the shapes  of th glyphs.

In my 'comment' below I give you a few ideas of what could be linked to each of the  UC letters; it's up to your areas of study, experience, interest, and the time you want to use for designing and building your fonts,  which -if any- of the proposed words and concepts I mention will be the one(s) you want to combine with the type of presentation you found in the LC letter.  

Choose a good name for your font, it's probably a good idea to have a name that isn't the keyword I gave in the UC list -- I can imagine that those key words have long been taken by font designers for their fonts.

Note: the "INSPIRED FONT" is still in development; when I have more illustrations for objects, situations, feelings etc or styles of presentation (I am open to suggestions!) I will try to find a suitable design to add to the glyphs as there are still a few empty slots in the Basic Latin set ;)

..:*:.. Have fun ..:*:..

This font was inspired by the works of Christophe Szpajdel (Lord of the Logos, 2010, Die Gestalten Verlag), as well as by the film trilogy and the following game titles (e.g. Middle-earth: Shadows of Mordor, Warner Bros. Interactive Entertainment, 2014) based on Tolkien's epic masterpiece, The Lord of the Rings. Given the game theme, and the 48 bricks vertical limit, I thought more or less around pixel art, or pixel fonts. This is my endeavour to make a spiky blackletter in Szpajdel's black metal style that evokes the terror of Mordor at pixel level. This font has been extensively tested for best kerning, yet some issues might have remained unresolved.

These are intended to be used as distance guides. This tool/tutorial/ressource will help members, as it will avoid your wasting time on counting pixels ;) specially useful when you want to set know height/width of a glyph that is larger than the open window of the FontStructor Grid.

Copy and paste the lines that have the dimensions you need  -add more lines if your glyphs are higher/wider than the lines I show-,  to the left of the blue line and/or below the base line; put them  at 3 px distance so that they don't interfere with your work ;)

You only need to paste the lines once ;), into one of the spaces on the glyph band (putting them on a glyph slot that you don't use, it"ll be there for reference even when you switch off the green Extra Guides. Just remember to erase the lines when you've finished your font so that the lines won't disturb you when testing the font in the preview and won't stay when the finished font is being used.

This tool will avoid you having to spend time counting height and width when you want to know the dimensions of your glyph or of one you've cloned. Useful also when you have to make a font that is higher than the working space you give to your Fontstructor Grid, and when a FontStruct competition sets a certain dimension for glyphs, usually 48px (but do read the competition information!!), you'll have the dimensions ready-to-apply.

My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.