Adapted from Como S(lab), designed in 2012 with completely revised shapes and a new style.

Enjoy!

Here I present another variation of Como Splitt (startet in 2014)  in grayscale. Some glyphs have been modified in their breaks, as well as a few other details such as curves and size.
db Como is one of my oldest typeface families, and I still enjoy working with it very much. It comes in various styles, such as Mono, Stencil, Sans Serif/Mix, as well as different weights. 

Farop (short for Fanning a Ream of Paper) is an inline display type family that employs non-rhythmic stroke widths, layered overlays, and unconventional alignments to create a distinctive multi-lined aesthetic. It deliberately breaks away from traditional typographic conventions by disregarding standard baselines in favour of chunky, brutalist letterforms and self-determined vertical positioning.

Farop Freestyle (shown here) is composed of eight coloured layers, each manipulating the glyphs with differently coloured stripes. It serves as a visual reference for the wide range of styles that can be achieved with the Farop family, while also functioning as a ready-to-use colour font for bold, maximalist inline typography.

The complete Farop type family, including five individual weights (Farop 1 to 5), Farop Freestyle, and Farop Stack (the original monochromatic gradient variant), is available to download for free at fauxicing.com.

IT IS I: THE MYSTERIOUS HACKER WHO ONCE BROKE THE SITE BY REDIRECTING EVERY USER TO THE RICKROLL VIDEO ON YOUTUBE, BACK AGAIN WITH ANOTHER FONT!

THIS TIME, IT’S A COMPRESSED FONT WHERE NOTHING GOES BELOW THE BASELINE. (THE BASELINE IS THE WORLD’S MOST PROFOUND AND INEXPLICABLE BARRIER WHICH MAY NEVER BE CROSSED.)

FEATURES

• KERNING!
• A QUESTION MARK WITH SCOLIOSIS!
• A Q THAT SNEEZED SO HARD THAT ITS TAIL FELL OFF!
• NOTCHES CUT OUT OF E, F, J, T, AND Ƃ TO FIT NICELY WITH V, W, AND Y!
• INK TRAPS TO COMPENSATE FOR THE THICKNESS OF THE STROKES!
• ALL NUMERALS IN THE NUMBERBET ARE MONOSPACED, SO THEY CAN BE USED IN A DYNAMIC INTERFACE WITHOUT JUMPING AROUND!

inspired by the works of gunnlaugur se briem

i especially like the shape of the s

height: 10 bricks

no filters

designed with as much 1x1 space and as little 2x2 space as possible

edit 4/22/2026: OMG THX FOR THE STAFF PICK

random art deco font

height: 4 bricks

Mithrandir is the Elvish name of Gandalf in The Lord of the Rings. It means Grey Pilgrim in Sindarin. Work in progress.

a little outside of the art deco era, inspired by astigmatic's "sacramento" and tortoiseshell's "sonoma," while keeping with the californian theme~

The font from the C64 demo BluREU by Crest.

The back slash is derivative, as are the variations of quotes and apostrophes. Everything else is in the character data (including some unused characters - like 7, Q, and Z!).

The star character is mapped to Caret, smile to Tilde, and copyright to Dollar.

Should be semi-monospace (8 or 16 pixels across per character).

Happy holidays! Sorry, I can't stop complicating some fonts, now with these large intermediate serifs (but they looks nice!). All seemed simpler when I started it, but... Just unicase with alternates (and a lot of kerning needed => WIP).

Mix upper and lower case for alternative star positions.

Almost released this as an NFNW, but after a couple more hours in the editor, I realized I did want to finish this. Works best at larger sizes for short text.

Any suggestions to make the “N” less bulky would be greatly appreciated.

Also, kerning is in the works. I’ll see if I can finish it eventually.

Suggestions / feedback about the kerning pairs AV, VA, AW, WA, MV, VM, MW, & WM would be helpful—I can't quite figure out the spacing I like.

KERNING PAIRS COMPLETED (so far):

 • (A-B)(A-z)

 • (A-z)(A-B)

 • f(a-z)

 • (a-z)f

 • a(A-U)

 • (A-U)a

 • 7(1-9)

 • (1-9)7

inspired by those tube light signs except more

My inspiration comes from geometric patterns, like Zuzana Licko‘s pattern work on fabrics, and Arabic patterns. The letters are in square tiles inspired by Arabic art. My font also plays on the idea of legibility and futurism, as the letters are skewed making it harder to read, almost like an ‘alien’ code.