247167737
Published: 25th September, 2015
Last edited: 25th September, 2015
Created: 24th September, 2015
Ribbon-ish all caps font.
A further development of AT Shlanga's technique.
116125613
Published: 18th July, 2015
Last edited: 18th July, 2015
Created: 17th July, 2015
Ant-Man!
Still a work in progress, but obviously it has to be released today.
There were lots of failures in attempting this one. This version was the best rendition thus far.
The preview looks best set below 75%.
28996231
Published: 25th June, 2015
Last edited: 26th June, 2015
Created: 18th June, 2015
I got the idea from the circle blocks. The smaller the circle, the more the font has a look that it's vanishing at the top.
1551230218
Published: 17th June, 2015
Last edited: 22nd June, 2015
Created: 27th May, 2015
Licht Sans is a regular, rather condensed typeface that has a few distinct features if you look closely.
381310112
Published: 28th April, 2015
Last edited: 27th April, 2015
Created: 31st March, 2015
Beauty from imperfection...
Using the "nudge" tool, I tried to make a dot matrix font where it looks like the print-head was damaged and the pins were consistently mis-aligned. Using a spreadsheet to help randomize the dot positions from center ( U/D/L/R ), the resulting effect looks merely "OK" on the screen; it's just not as subtle as I had hoped...
But you know what? I printed a couple of pages of text using this TTF font at 12-pt, and it seems to have a more 'natural' and 'authentic' look than dots that are perfectly aligned! So, I consider this one a success, and I hope you do, too. ;^)
2162120021
Published: 16th March, 2015
Last edited: 14th April, 2015
Created: 11th March, 2015
I wanted to create a light serif typeface that is clear and readable and at the same time sort of elegant. Don't know whether I did all this, really...
11021429
Published: 15th March, 2015
Last edited: 23rd March, 2015
Created: 7th February, 2015
Clone of RM Stoney with subtle shading.This is a clone of RM Stoney
110118620
Published: 21st February, 2015
Last edited: 22nd February, 2015
Created: 18th February, 2015
Every (almost) glyph has a matching pair, rotated, mirrored or otherwise. Some are quite forced.
2071811740
Published: 19th February, 2015
Last edited: 21st February, 2015
Created: 1st February, 2015
Hard kerning in this one, you see! But it's my continuous battle with fonts like this (two bricks x-height, filters 2:2). A lot of alternates in the lower case to improve the kern. Fontstructing.
386625
Published: 12th February, 2015
Last edited: 30th August, 2020
Created: 28th November, 2014
Really excited to be able to share this fontstruction, as it was developed as the display font for a group exhibition in Dublin's Temple Bar Gallery + Studios. A kerned version (slightly tweaked using Glyphs) can be downloaded for free through the gallery website.
3031216032
Published: 9th February, 2015
Last edited: 9th February, 2015
Created: 7th February, 2015
Condensed sans serif. Named after the "best pencil in the world".
33034132742
Published: 27th June, 2014
Last edited: 23rd March, 2015
Created: 20th June, 2014
Simple sans serif typeface making heavy use of the nudge feature.
0819331
Published: 27th June, 2014
Last edited: 22nd September, 2014
Created: 26th June, 2014
In the case of 7-pixel-tall characters, one row of dead pixels is added (stragetically). ;)
256206099
Published: 5th June, 2010
Last edited: 5th June, 2010
Created: 21st May, 2010
No reference used at all. This is me drawing Paul Renner's original Futura from memory, without intending to. Actually, I was going for something more Avante Garde. It all started with the O and developed from there. The hardest letter = S. It was a real pain in the S. It was interesting afterward to compare the letters to Futura after finishing the caps.
Futura - It was like the Helvetica of 1928.
Bezziaire is an early experimental simulation of Bezier curves with FS2.0. Zooming 30% and below renders best results.
Horizontal optical compensation added for the circular glyphs, as well as baseline overshoots.
060510
Oh yeah, this also has preliminary involvement with shasta's circle competition, which is seriously humbled by his Circle Cult.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
1311712919
Published: 19th April, 2024
Last edited: 15th July, 2014
Created: 11th July, 2014
They are born twins. See also zkalpel eYe/FS, please.This is a clone of zkalpel eYe/FS