552532
Published: 29th June, 2008
Last edited: 22nd June, 2009
Created: 29th June, 2008
When the half-angle blocks were first introduced I thought I would be the last one to produce an old style or transistional sans-serif typeface. Looking through the gallery, I still don't see any attempts. Creating a serif font with blocks is very much a square peg for a round hole, but I enjoyed the challenge. I tried to emphasis all the minor details, like angled stress, or the bottom terminal of the lowercase b. I spent a lot of time on this months ago, but after a while, just lost the drive to complete all the characters. Maybe you're up to the task.
6231220744
Published: 30th August, 2008
Last edited: 22nd June, 2009
Created: 1st August, 2008
Based on the lettering used for the signs in Les Bains des Docks, by one of the architect I like most.
35377911
Published: 8th April, 2008
Last edited: 22nd June, 2009
Created: 8th April, 2008
A fun circus woodtype that includes a number of fists, arrows, and a couple of words.
1377176512
Published: 2nd April, 2008
Last edited: 22nd June, 2009
Created: 2nd April, 2008
Based on Wim Crouwel's New Alphabet. My own site is http://pixelspread.com
480773
Published: 22nd February, 2009
Last edited: 22nd June, 2009
Created: 19th February, 2009
An italic dot matrix font, using just one shape on a 13 high grid. (Based originally on Arno Italic)
Funky and Fresh
891386
Published: 2nd September, 2008
Last edited: 22nd June, 2009
Created: 2nd September, 2008
Tangience. A fractionally scaled fontstruction utilizing a molecular coagulation of fused tangent circles. Best viewed magnified under an electron microscope.This is a clone
2161326819
Published: 15th June, 2008
Last edited: 22nd June, 2009
Created: 15th June, 2008
Omino is the italian word for "little man" but it also stands for a stilized figure. Nearly 300 chars, set may grow in the future (as the number of samples).
1740986
Published: 28th August, 2008
Last edited: 22nd June, 2009
Created: 7th August, 2008
All the characters except the punctuation are square. Suprisingly legible for using so few pieces.
115662285
Published: 8th March, 2008
Last edited: 22nd June, 2009
Created: 8th March, 2008
Muni is based on the characters of the automated displays on the newer Muni trains around San Francisco. See also Muni Tall. Use Muni and Muni Tall together for a complete character set including diacritics, small caps, small caps and lining figures, ligatures and Muni logo dingbats.This is a clone of Muni
3051155346
Published: 29th September, 2008
Last edited: 22nd June, 2009
Created: 3rd August, 2008 The Slurpee Font - Created and fueled by an unhealthy summer obsession with the world's greatest beverage you can drink/eat with a straw. A little interweb research gave some hints at a few more glyphs than the initial six glyphs in the 'Slurpee' logo. In some cases, like with the 'c' glyph, I noticed that it had been drawn differently in different usage. See here and here.
Being that the current Slurpee logo is Unicase, I decided to try and make uppercase and lowercase alternatives that can be mixed and matched for the unicase feel.
See also Chank Diesel's wonderful font Cosmic, which draws from the old school Slurpee branding.
P.S. The Monster Black Ice flavor that came out this summer was ridiculously awesome.
34179815
Published: 25th May, 2008
Last edited: 22nd June, 2009
Created: 25th May, 2008
FontStruct version of Doris Orange by T26 (thanks to Eskema for helping with identifying it).
Oriental, Japanese-looking font.
271210527
Published: 23rd May, 2008
Last edited: 22nd June, 2009
Created: 23rd May, 2008
Texture Fancy is an addition to the Texture that wolfkrim builtThis is a clone of Texture Graph Paper
30672625
Published: 8th September, 2008
Last edited: 22nd June, 2009
Created: 8th September, 2008
Just a fun one I did last night while watching tennis and reading the latest DWR catalog (see page 72). This is a pattern Fontstruction based entirely on the Anni Albers textile pattern of the same name.
"Anni Albers began a three decades long collaboration with the internationally recognized design company Knoll in 1951. During the course of this partnership, Knoll released five of Anni's designs: Track, Rail, Lattice, Jhet and Eclat. Originally designed in 1974 as an upholstery pattern, Anni Albers' Eclat, was first produced printed on a cotton/ linen ground in various scales and color combinations. Reintroduction into the market as part of Knoll's 60th anniversary archival collection celebration in June 2007, Eclat, renamed Eclat Weave, is now produced as a woven, rather than printed, upholstery."