989298329230
Published: 6th April, 2008
Last edited: 18th August, 2010
Created: 6th April, 2008
I wasn't satisfied with either of the current logo expansions, so i made my own. With Cyrillic characters.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!
47965632721
Published: 5th November, 2010
Last edited: 6th November, 2010
Created: 4th November, 2010
This is my first FontStruction while currently studying graphic design at Bristol UWE.
Lots of experimentation solely using paints; quick hand movements and flicks to produce a messy, unrefined effect. Working in less than 1 second for each letter (with real paints), used as reference. Inspired by East Asian calligraphy.
320151100226
Published: 27th May, 2008
Last edited: 23rd June, 2009
Created: 27th May, 2008
Now kidnappers can save time and type their notes rather than cut letters from newspapers!
31384327396
Published: 31st December, 2012
Last edited: 2nd January, 2013
Created: 20th February, 2009
This one was a long time in the works. If you liked Knutz and Boltz you'll really dig this one. Probably no numbers or extra characters to come I'm afraid. The caps were a ton of work alone. Enjoy.
3082155346
Published: 29th September, 2008
Last edited: 22nd June, 2009
Created: 3rd August, 2008 The Slurpee Font - Created and fueled by an unhealthy summer obsession with the world's greatest beverage you can drink/eat with a straw. A little interweb research gave some hints at a few more glyphs than the initial six glyphs in the 'Slurpee' logo. In some cases, like with the 'c' glyph, I noticed that it had been drawn differently in different usage. See here and here.
Being that the current Slurpee logo is Unicase, I decided to try and make uppercase and lowercase alternatives that can be mixed and matched for the unicase feel.
See also Chank Diesel's wonderful font Cosmic, which draws from the old school Slurpee branding.
P.S. The Monster Black Ice flavor that came out this summer was ridiculously awesome.
300888766
Published: 8th May, 2014
Last edited: 8th May, 2014
Created: 17th April, 2014
It's good to be back.
Check out also:
http://fontstruct.com/fontstructions/show/corruptor_clean_ldr
http://fontstruct.com/fontstructions/show/critical_mass_ldr
http://fontstruct.com/fontstructions/show/2589_ldr
29951838137
Published: 18th April, 2008
Last edited: 15th June, 2009
Created: 18th April, 2008
Much like MinimalBloc, Leaflet works better when the modular pieces are revealed.
26042231433
Published: 9th November, 2010
Last edited: 9th November, 2010
Created: 5th November, 2010
This typeface has been created based on the theme 'Vibration'. I tried out a wide range of experimentation when it came to producing hand rendered work, as I felt I needed to work out what would best capture the general sense of the word.
I tried using inks on elastic bands, attaching pens to a playstation controller and drawing, photographing food colouring over a speaker; all sorts. Finally, I decided I needed something which really reflected the word clearly. I looked at the white noise and the trails that you get on the television, and applied this feel to a sans serif font I had made based on Georgia (minus the Serifs)
One of the most time comsuming things I've ever done, hope its been worth it.
Any comments welcome.This is a clone
257619636
Published: 9th May, 2008
Last edited: 13th February, 2009
Created: 9th May, 2008
Clone of Structurosa. Cloned by ChandooThis is a clone of Structurosa
2090135356
Published: 8th April, 2008
Last edited: 23rd June, 2009
Created: 8th April, 2008
Use the Big Fat fonts with each other in different colours for awesome chromatic effects.
A big fat angular industrial strength chromatic font. The lowercase contains the fill for the uppercase.
UPDATED 25 February 2009: Made the space character 2 grid units wider.
UPDATED 27 February 2009: The 'J' has been off this entire time and nobody noticed. Now it's fixed. Also fixed width of 'Q' to match new members of the Big Fat family.
1960115660
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
153337668
Published: 6th April, 2008
Last edited: 17th August, 2010
Created: 6th April, 2008
More decorative alternates for FontStructura.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!This is a clone of Structurosa
Q: What's with the name? A: At some point over the holidays, the movie Thunderball was on and I got to thinking about jet packs, Aston Martins, archenemies, Blofeld, SPECTRE and whether Miami is really worth 100 Million in diamonds or if it might have been better just to keep the diamonds instead of trying to save Miami. I mean, at the time of the movie, Miami hadn't even discovered cocaine yet and really wasn't on the map. If I were Blofeld, I would have picked an entirely different city to hold a bomb threat over. It was the sixties after all, take out San Francisco. Incidentally, at one point in the movie Bond finds himself in the Bahamas in the middle of a junkanoo, which is a kind of street fair where folks wear insanely colorful costumes (mostly of feathers) and dance around. Junkanoo! Now that would make a great name for a font. Much better than Thunderball. Is it too late to change the name?
Q: Your recent output - including this clodhopper - seems to be stuck on the 1.8 brick size filter, is your filter toggle stuck or something? A: Your Mom's filter toggle is stuck, buddy! And my next font will be called Clodhopper, and it will be yet another font built at 1.8 and it's going to be big and thick so you'll really feel it when I beat on your skull with it.
Q: Whoa! Touchy. Ok, how about that uppercase 'T', it's awfully funny looking, you gonna change it? A: Oh Boy. You just don't know when to quit, do you? The 'T' began as a spacing compromise but over the last few days it has grown on me - overtaken me really - like some saccharine soaked pop song that I hate but secretly love. So back off on the 'T', it's not going anywhere.
Q: Any last thoughts? A: Blofeld, Junkanoo, Clodhopper - all rad names for fonts that have yet to be born. Q.E.D.
1379176512
Published: 2nd April, 2008
Last edited: 22nd June, 2009
Created: 2nd April, 2008
Based on Wim Crouwel's New Alphabet. My own site is http://pixelspread.com
134466417
Published: 28th February, 2008
Last edited: 22nd June, 2009
Created: 28th February, 2008
This is another one of my modular alphabets from my college days (c. 1975). This one uses a larger grid space than the Boxy 1 and introduces a curved element that can be used on the NE or SW corners. Otherwise it follows similar rules.
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
11781846138
Published: 9th January, 2014
Last edited: 9th January, 2014
Created: 11th April, 2013
I have always loved Grafitti and although impossible to capture the spontaneity of spraying the underpass or my neighbour's wall, here is a possible alternative!
1102233664
Published: 25th August, 2008
Last edited: 7th June, 2009
Created: 25th August, 2008
I took this epic digger while mountain biking in the rain last Friday. No real damage besides a slightly bruised shoulder. But while kneeling on the ground and collecting my wits, I noticed the impression left by my tire treads in the mud and thought there might be a Fontruction idea in there. Hydroplane is the product of that and represents a desire to stay upright, moving forward, with two wheels firmly gripping the terra.
10311364189
Published: 9th June, 2010
Last edited: 9th June, 2010
Created: 9th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements.This is a clone of Spacerock Biline