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Anglo-Saxon-small

 by Scawty
 
Anglo-Saxon-small
  • Currently 8.08549
8.1Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.1%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.5%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 2 votes
Last edit: 15.09.2012
Category: -
4 downloads4%20downloads43 comments3%20comments352 glyphs52%20glyphs52A favorite of 2 usersA%20favorite%20of%202%20users2A design based off of the Old English Alphabet.  Complete with letters used in Anglo-Saxon. Q represents "Ash (ae)". J and K represent "Thorn (th)" and "Eth (th)" respectively.  Z represents the alternate forms of "s" used in older manuscripts. Capital Z is the "long s" and lowercase z is the "insular s".  There is no V, however, F was used for the sound of V.  W and G are replaced with "Wynn" and "Yogh" respectively.  I created the letters with the simplest squares i could use with the smallest grid, so as to keep the file small in size and easy to load up.A%20design%20based%20off%20of%20the%20Old%20English%20Alphabet.%20%20Complete%20with%20letters%20used%20in%20Anglo-Saxon.%20Q%20represents%20%22Ash%20%28ae%29%22.%20J%20and%20K%20represent%20%22Thorn%20%28th%29%22%20and%20%22Eth%20%28th%29%22%20respectively.%20%20Z%20represents%20the%20alternate%20forms%20of%20%22s%22%20used%20in%20older%20manuscripts.%20Capital%20Z%20is%20the%20%22long%20s%22%20and%20lowercase%20z%20is%20the%20%22insular%20s%22.%20%20There%20is%20no%20V%2C%20however%2C%20F%20was%20used%20for%20the%20sound%20of%20V.%20%20W%20and%20G%20are%20replaced%20with%20%22Wynn%22%20and%20%22Yogh%22%20respectively.%20%20I%20created%20the%20letters%20with%20the%20simplest%20squares%20i%20could%20use%20with%20the%20smallest%20grid%2C%20so%20as%20to%20keep%20the%20file%20small%20in%20size%20and%20easy%20to%20load%20up.

Beauty From Ashes

 by UHURU
This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.  
Beauty From Ashes
  • Currently 8.42657
8.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E9.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 7 votes
Last edit: 03.11.2010
Category: -
38 downloads38%20downloads383 comments3%20comments332 glyphs32%20glyphs32A favorite of 9 usersA%20favorite%20of%209%20users9Font based on the theme of decay. I started by looking at the decaying buildings, working from photographs of tired brick and worn surfaces. I made some rubbings from text on the side of a building and this is what the main font outline is based on. I wanted to create a worn font, with an almost burnt texture to replicate the worn and disintegrating buildings I started with. The name comes from text on the side of a building and I think the textures of decay can be beautiful.Font%20based%20on%20the%20theme%20of%20decay.%20I%20started%20by%20looking%20at%20the%20decaying%20buildings%2C%20working%20from%20photographs%20of%20tired%20brick%20and%20worn%20surfaces.%20I%20made%20some%20rubbings%20from%20text%20on%20the%20side%20of%20a%20building%20and%20this%20is%20what%20the%20main%20font%20outline%20is%20based%20on.%20I%20wanted%20to%20create%20a%20worn%20font%2C%20with%20an%20almost%20burnt%20texture%20to%20replicate%20the%20worn%20and%20disintegrating%20buildings%20I%20started%20with.%20The%20name%20comes%20from%20text%20on%20the%20side%20of%20a%20building%20and%20I%20think%20the%20textures%20of%20decay%20can%20be%20beautiful.

Asthetic Ridicule

 by Sc10
 
Asthetic Ridicule
  • Currently 7.78827
7.8Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.8%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E10.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 1 vote
Last edit: 14.03.2009
Category: -
9 downloads9%20downloads9202 glyphs202%20glyphs202A favorite of 1 userA%20favorite%20of%201%20user1An almost entirely thoughtless face with zero personality. Made with the least pixels possible, overlooking legibility wherever needed.An%20almost%20entirely%20thoughtless%20face%20with%20zero%20personality.%20Made%20with%20the%20least%20pixels%20possible%2C%20overlooking%20legibility%20wherever%20needed.

Burnt_Paper

 by JadeH
 
Burnt_Paper
  • Currently 0
0 votes
Last edit: 31.10.2014
Category: -
3 downloads3%20downloads336 glyphs36%20glyphs36My typeface is based on the theme of disintegration. My starting point came from my interpretation of the word disintegrate; I immediately thought of 'burn'. After this I carried out some experiments by burning paper which led me to focus on the fragility of the charred edges. This made me want to create a delicate typeface with subtle shading; I found that I was influenced by Baskerville and Bistream Vera. My final typeface is designed to look like burnt paper. It is expressive and could only be used as title text rather than body text.My%20typeface%20is%20based%20on%20the%20theme%20of%20disintegration.%20My%20starting%20point%20came%20from%20my%20interpretation%20of%20the%20word%20disintegrate%3B%20I%20immediately%20thought%20of%20%27burn%27.%20After%20this%20I%20carried%20out%20some%20experiments%20by%20burning%20paper%20which%20led%20me%20to%20focus%20on%20the%20fragility%20of%20the%20charred%20edges.%20This%20made%20me%20want%20to%20create%20a%20delicate%20typeface%20with%20subtle%20shading%3B%20I%20found%20that%20I%20was%20influenced%20by%20Baskerville%20and%20Bistream%20Vera.%20My%20final%20typeface%20is%20designed%20to%20look%20like%20burnt%20paper.%20It%20is%20expressive%20and%20could%20only%20be%20used%20as%20title%20text%20rather%20than%20body%20text.

Astoria Sans Roman OT

by Alan MeeksFontShop.com
Astoria Sans Roman OT
Some fonts you just can’t FontStruct. Try a non-modular typeface from FontShop.com