I went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.
This is a clone of SpelunkerSee more:
https://fontstruct.com/fontstructions/show/524596/candy_56
https://fontstruct.com/fontstructions/show/829881/fs_neon
https://fontstruct.com/fontstructions/show/1501556/dx-minima-rounded
https://fontstruct.com/fontstructions/show/1695748/all-together-now
https://fontstruct.com/fontstructions/show/445209/arancito_1
https://fontstruct.com/fontstructions/show/796901/fs_slate
See more:
https://fontstruct.com/fontstructions/show/1621174/pinnu
https://fontstruct.com/fontstructions/show/808707/analogly
https://fontstruct.com/fontstructions/show/1927675/worm-flat-2
This is a clone of RoubdedInspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.
Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph ()
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma
Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦
This is a stylized version of Block Morse. Each letter has roughly the same outline, but several liberties are taken with the proportions and formatting. For example, filled 3x3 squares are indicated with a diagonal slash and "E"s are marked with an extra stroke.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
When each column of 4 pixels is read from top to bottom, they form letters in Morse code.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
WIP
See more:
https://fontstruct.com/fontstructions/show/1500535/contortion-c
https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3
https://fontstruct.com/fontstructions/show/2256589/sidetracked-6
This is a clone of zimonart R eYe/FSSee more:
https://fontstruct.com/fontstructions/show/2385180/vcr-multiline
https://fontstruct.com/fontstructions/show/1924523/hydrocycle
https://fontstruct.com/fontstructions/show/1509517/volga-1
https://fontstruct.com/fontstructions/show/1926014/squidward-4
https://fontstruct.com/fontstructions/show/2240805/shodan-5
https://fontstruct.com/fontstructions/show/1933790/two-souls
https://rentafont.com/fonts/dr-refunk
https://fontstruct.com/fontstructions/show/1904474/sanding
With this font I am late to the competition, but I still love Art Deco a lot.
This is a clonecloned from Christian Munk (Spitzchtruct)
this is a cursive "workshop" to be improved upon
it seems to me that there is not really much of a choice on fontstruct for cursive letters, most are connecting at the bottom which does not look natural in my opinion.
i thought i'd give it a try despite my being a beginner at this
Christian Munk had the right idea to make the connectors from the bottom on the right side of each letter and up to the middle of the left side of each letter above the baseline. it looks more natural that way.
however, some of the original creator's letters did not make sense to me, maybe it is a different language or a constructed language?
i liked some of the basic composited bits and pieces made by the originator
I moved most of Christian Munk's original created letters over to the empty punctuation spaces. the originals that i thought were okay i moved to the empty capital spaces. (there are no capitals in the original script). i'm not sure why some of the letters are strange looking, such as the letter D which looked like a capital V so i put it there instead.
then i recreated most of the lowercase letters using their bits and pieces
i think the only letters i kept the same were b, l, i, j & z
i may finish it later, the capitals need to be finished
but i thought i'd share what i got done ... it might be useful for ideas for an improved cursive script
This is a cloneELEVATED (REWORK) - A 3D outline display typeface design with shadow effect.
It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".
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This re-work differs from Jurriaan's original sketch and my previous versions.
I changed the size to grid ratio, drastically reducing overall glyph size and increase stroke weight. The changes are optimizing the design, making it more suitable for digital display use. (more accurate 'print' version forthcoming).
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Due to the inexperience I had in my early days of FontStructing, and the lack of proper knowledge about raster scaling, I faced some serious issues regarding the correct size distribution. This made it impossible to include the diagonal lines correctly into that old version of the font, with the diagonals also having equal seporation and white space throughout the entire design.
So instead of making a clone of my previously published version "STF_ELEVATED" in order to include the shadow style variation into that existing family as a seporate FontStruction (like I did with most other style variations in my "LETTERS OP MAAT" series), for this one I decided to rebuild the entire typeface from scratch.
Putting all the style variations together into this single re-worked design.
Some extra characters were added to the set, making it a slightly more functional basic font.
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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.
Enjoy!
ELEVATED (PRINT) - A 3D outline display typeface design with shadow effect.
It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".
===========================================================
This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)
This rework has one major difference compared to all previous versions, once more it was constructed with a different size to grid ratio, one that corrects the size distribution, enabling the recreation of the original sketch with high accuracy.
The stroke weight in this "PRINT" version more accuratly mimics the original sketch and therefor is not optimized for digital display use.
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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.
Enjoy!
This is a cloneYears ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!
This is a cloneThis typeface was created on the main theme of 'Protection' that i later explored in the idea of fences and how they can protect us from the outside world. I wanted my letters to connect with one another creating the illusion of a fence and potraying unity.