I joined Fontstruct to get special fonts for greeting cards I made. Over the years I have learned a lot from seeing the incredible variety of fonts created by members who are using just simple bricks, artistic experiments and a lot of patience; when cloning is allowed I can see and understand fine details to help me develop further, increase my confidence and stimulate my imagination.
I love to design and make fonts for family, friends, for special occasions, and to replace some of those more 'usual' basic fonts on my computer :)
Fontstructing since | 15th July, 2011 |
Fontstructions | 299 shared, 21 staff picks |
Shared Glyphs | 39211 |
Downloads | 3500 downloads made of this designer’s work |
Comments Made | 2830 |
Aenvidere (the normal weight version) still needs fine-tuning and kerning. That will come, eventually :) At the moment I'm quite busy doing too many things concurrently.
Check the font description for AlexGar-Aenvidere for details.
At a later date I'll publish a squared-off version of this. Aenvidere SQ will have the same glyph style but will be wider than the other versions which might make it less useful as a "tool" to attract attention when added as splash insert in text that uses another Aenvidere version.
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of RaysanReverse in the visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery pendants.
I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.
This is a cloneInspired by a Blackletter font in which I saw Art Deco qualities. The name comes from Norse/Viking mythology. It's great for headlines/titles and works nicely as majuscles for slab sans serif fonts.
No DL for this particular design but the initial font design will be tidied (has Latin & MoreLatin only) and made available before the end of next week.
I love the traditional French biscuits made on the French west coast where Loire meets Atlantic.
The biscuits are thin, crunchy, light, not too large, not very sweet, melt on the tongue, and biscuits very like the original can be made/baked quite easily.
The traditional version has a limited range of letters, enough to write the name of town, manufacturer and product. I've been unsuccessful in finding an image of the font which contributed just a few letters to decorate these biscuits.
I spent some time looking at other type of the Victorian/Art Nouveau era until I had collected enough information to help me design the missing letters. I added the French diacritics, naturally. I think my additions look successful and the whole font looks quite Art Neauveau and in the style used originally.
The square brackets [ and ] make a biscuit shape when used 'blank'.
Bon appetit, enjoy your "Biscuit de l'Ouest".
This is a clone of Petit BiscuitFor Sándor. The font has upper and lower case. Having 'played' with the baselines for the letters I decided that this font looked better with LC letters aligned at the top rather than on the base line. The font has basic Latin and most glyphs of the more Latin set, and I added the Polish diacritics.