I live in Auckland, New Zealand. I could be accused of having curiosity a mile wide and an inch deep (something Americans are accused of). I'd be good at gameshows -- I have a smattering of knowlege in a lot of subjects. I used to be able to identify zillions of fonts at a glance but passing fashions and Father Time are fighting over which gets to defeat me first.
118144145
Published: 30th October, 2009
Last edited: 7th November, 2009
Created: 30th October, 2009
Maybe shifting to CCAN licensing will discourage pilferers from trying to make money out of my designs. Cheek!
232145519
Published: 30th April, 2009
Last edited: 24th June, 2009
Created: 29th April, 2009
2x2 schemes are all very well but they magnify the spacing issues x2 as well. Along with the usual "f"ing question it comes unstuck where I've added half-width bricks at the start or end of a glyph.
Oh well. Trouble is my middle name.
13418728
Published: 18th April, 2009
Last edited: 22nd June, 2009
Created: 16th April, 2009
I was thinking you could cut down the bricks in the toolbox by a third by casting sub-menus off each of the rotating bricks; i.e. each rotating brick would have a little button a la Photoshop, giving access to the other three rotations. This retains a degree of user-friendliness for new initiates to the site. (No mucking about with special keys for rotations.)
If the user's palette floated like the others, that would give more room too. I find the floating palettes quite good because you can drag them out of the way.