Favorite FontStructions from pedrofernandes (Sorted by Sharing Date)

“Pandemonium” by SophieBalch

Tue, 09 Nov 2010 03:14:16 +0000

This font was inspired by the word chaos. Initially to me chaos meant incoherent mess, but after looking at chaos theory i began looking at ways to order chaos. To show this in my font I have used a regimented typeface with repeated ideas of thick and thin lines, but juxtaposed this restriction by forming the letters with chaotic scribbles.

“RoyallyStruct” by Femi_i_r

Mon, 08 Nov 2010 19:48:56 +0000

This font was based on the word pompous. It was created for a typography brief set in my first year at UWE Bristol. From the word pompous I was inspired to look at black letter fonts and ornate styles of decoration. Any feedback would be appreciated! If you use this font within your work please post a link with your final outcome, as its always nice to see your creation in action! Heres a link to my specemin poster http://www.flickr.com/photos/55197427@N03/5163466861/lightbox/ x

“The New Italic.” by kieranwayne

Wed, 03 Nov 2010 14:51:00 +0000

Inspired by a lack of hard work, sitting down and laying back. Remove yourself from stress and responsibility. Despite the theme this font arrived from investigation into missing letters, bars, stems and other parts. Experiments drawing with the wrong hand, eyes closed and allowing the pen to do its own thing. 'The new italic'. A font for those who generally cant be bothered. First year Graphic Design module for UWE Bristol. Theme = Lazy. First fontstruction [Work in progress]

“Mobivus” by Michel Troy ~UrbanPixel~ (Upixel)

Sat, 16 Oct 2010 04:01:53 +0000

a 2x2 brick size font.///////////////// I had fun playing around with this font, espacialy small details which are hardly noticeable: diatrics, odd lenght angles, compromise the design itself of a glyph with kerning and aspect ration with the rest of the alphabet. well fell free to spot me anything non-harmonized. ////////////////////////////////////// 2x2 brick size VS 67.5° angles... I create bricks which can overlape the regular one on half of it... so it offer the possibilities to make odd size angle glyphs like v y, etc. Dont' know if somebody else did it before there is so many fonts now in FS, so it's hard top follow everything.

“Archly Gothic” by William Leverette (will.i.ૐ)

Sat, 09 Oct 2010 05:27:57 +0000

When the new arc bricks were unleashed upon fontstructland, I attempted several different styles incorporating this new maximum curve. My first drafts revealed the direction I was heading. I wanted to create a flawless geometric, technical sans lowercase with a touch of calligraphic flair (there are some optical correction issues in the result, e.g. with the e). For the uppercase, I intended maximum style without sacrificing too much coherence – why lose any of the best bits?

Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?

The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...

“Snowflake” by funk_king

Mon, 20 Sep 2010 16:57:38 +0000

“Dizygotic” by chr.s

Sat, 11 Sep 2010 12:12:48 +0000

An exercise in using the newer bricks to create a single typeface with two weights.

“FS Stein” by Tylo

Thu, 19 Aug 2010 16:25:27 +0000

1x1 monospaced. No curves. I started with the letters and I tried not to use many different bricks. The other characters have lots of different bricks, but I wanted this one to be complete.

“Psychotron” by Encorer

Wed, 28 Jul 2010 15:30:45 +0000

“fabrik” by fontain

Fri, 23 Jul 2010 08:43:06 +0000

Minimalist type: 10 bricks within 1x3 grid suares. Feel free to download, vote or contact!

“Guayule” by chr.s

Mon, 19 Jul 2010 23:25:02 +0000

Not quite finished - I'm not happy with the X and a few other glyphs most likely need tweaking. Suggestions welcome, as always.

“Woodrow Light” by Sketchbook B

Wed, 07 Jul 2010 03:12:01 +0000

Woodrow is one of my favorite creations and I wanted to create a lighter version. I may still add some characters to this font and to the original version.

“RM Narrowboat 3D” by p2pnut

Mon, 14 Jun 2010 18:03:51 +0000

Inspired by the sign-writing on traditional UK narrowboats.

“Aurora Light” by aphoria

Wed, 02 Jun 2010 15:03:27 +0000

I used a high-resolution grid and lots of FS 2.0 features to create this. The x-height is 132 grid squares. I used many of the new angles enabled by FS 2.0 (1:8, 1:6, 1:4, 1:3, 2:3) in an attempt to create very smooth curves. UPDATE - 2014/07/25 Added a few numbers.

“Telephone” by LexKominek

Tue, 01 Jun 2010 05:21:04 +0000

A simple 2x2 font with 2x2 filter settings. Named after the lower case 's' which looks like a spiral phone cord. Could be considered a little sister to Bubblemania. UPDATE - 07/06/2010: Fixed the 'M' and 'W' as per Frodo's suggestion.

“Nomina Hard Serif” by caliopigio

Sun, 30 May 2010 15:01:18 +0000

Nomina Hard Serif is an strong and solid font with no more ornaments than necessary.

“Sonorous” by geneus1

Wed, 26 May 2010 18:44:04 +0000

052610. Another quick experiment with thin bricks. 1920's Broadway feel. 121114. Revisited the curves and smoothed out everything using subtle nudges.

“Corpus Torsion” by chr.s

Tue, 25 May 2010 13:15:39 +0000

A quick experiment playing with the possibilities of overshoot, using the composite brick function.

“Renovare S2” by geneus1

Mon, 24 May 2010 19:40:07 +0000

Renovare S2. Solution 2 or Serif 2. Clone of Renovare S1. In contrast to Renovare S1, a thickening of the serif makes way for efficient curved brick usage leading to a smoother and more natural slabtastic appearance. Revamped from a corrupted version of Renovare S1 and may suffer from the same instability. Handle with care. Downloaded normally for me. Please let me know if there are any problems. Thx. 052410 Edit 011915. Cap S and lc s smoothed out using nudged bricks

“zhadows eYe/FS” by elmoyenique

Mon, 17 May 2010 20:32:59 +0000

Another idea that bubbled in my head: a font defined by their shadows, a memory of years ago, when my eyes moved quickly to see everything and I marveled at all.