Favorite FontStructions from snhussain (Sorted by Sharing Date)

“STF_BOOTSHAUS” by Sed4tives

Sat, 02 Dec 2023 12:53:08 +0000

BOOTSHAUS — Geometric "Bauhaus"-inspired modernist sans
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Bootshaus is another endeavour into the Bauhaus realm of typography.

Focus for this font lies mainly within it's broad choice of glyph alternate forms to select from for stylish texts or logos.

Much of the extra glyph alternative forms are loosely based on the lettering by Sascha Lobe for the Bauhaus-Archiv

Many more glyph alternative forms are planned to be included, stay tuned..

— WIP

Cheers!

“Ishmael” by frongile

Sat, 21 Oct 2023 07:29:03 +0000

NGrider would appreciate

A text cut of those nautical art deco typefaces, cobbled together from @Sed4tives's faux bezier curve tools

WIP: Currently working on kerning for accents. I guess it's what those folks over at Future Fonts do

“ETC Denouement V1.1” by _idle_eye

Thu, 01 Jun 2023 02:20:53 +0000

ETC Denouement V1.0

ETC Denouement is a first attempt work-in-progress to make a large-scale serif typeface using just the default block brush as pixels.

V1.2+ (IN PROGRESS)

- Numerals

- Diacritics

- More punctuation

V1.1 (2nd of June 2023)

- Updated tittle on "i" and "j"

- Updated full stop, comma, and various quotation marks

- Added Diacritics found in "More Latin"

V1.0 (31st of May 2023)

- Basic A-Z in uppercase and lowercase

- Rudimentary punctuation (. , ! ? ' ")

“zement02 eYe/FS” by elmoyenique

Fri, 03 Mar 2023 13:03:10 +0000

Logical evolution of zolid02, less experimental and more readable, complete and compact.

“Zwaar” by four

Mon, 13 Jun 2022 23:22:01 +0000

“zenantoo eYe/FS” by elmoyenique

Thu, 09 Jun 2022 21:50:33 +0000

Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.

“Ristrutto” by Echo Heo (bluemon)

Fri, 18 Feb 2022 13:48:33 +0000

Exercise

“Flying Tiger” by elzero

Sun, 24 May 2020 19:52:09 +0000

“Apple Core” by elzero

Mon, 22 Apr 2019 21:16:46 +0000

“Avico” by V. Sarela (Yautja)

Sat, 28 Jul 2012 19:18:52 +0000

A bold font inspired by Korg's logo.

“Puzzlish” by Christian Munk (CMunk)

Wed, 18 Jul 2012 14:44:47 +0000

Each letter is represented by a puzzle piece that looks similar. There are some alternates in lower case.

“FS Commander” by kix

Sun, 15 Jul 2012 16:08:03 +0000

“Machete” by Qimplef

Tue, 19 Jun 2012 00:00:43 +0000

Some glyphs might need changed, and I take suggestions as always.

“Broken Promises” by four

Mon, 18 Jun 2012 21:34:45 +0000

“Ubangi” by Kummaeno

Sat, 03 Sep 2011 02:08:40 +0000

This is a remix of an old Rian Hughes font called "Darkside". I boiled down the geometry, added slightly rounded outer corners--and a whole new set of upper case characters. (Hughes’ font had only lower case).

“ExTrude” by Goatmeal

Tue, 30 Aug 2011 03:19:11 +0000

An experimental 3-D/geometric font, inspired by Mynameiscapo's "Metal Hammer [beta]". My first attempt was "InTrude"; I tried to make it look like it's coming right out of the screen or off of the page, but it wasn't what I was looking for. After retooling it, here is the result: it works! See all fonts: "Backtrude", "OneQuarterTrude", "OneQuarterTrude Inverse", "MidTrude", "ThreeQuarterTrude", "ThreeQuarterTrude Inverse", "ExTrude", "InTrude", and "FrontTrude"

“Paradoxx” by geneus1

Sat, 27 Aug 2011 04:10:31 +0000

02012011. Large Scale, minimal brick usage. 90 grid spaces high, 26 brick shapes.

“fs Arc Test 2:2” by minimum

Fri, 19 Aug 2011 20:03:02 +0000

Clone of fs Arc Test 1:1, which was started on Fri, 27th August, 11:59 AM 2010.

As simple as this fs may appear to be, it was much more complex to pull off. The curves and angles just did not match. The original version was at filter 1:1. Today--after a long time--I had enough free time to play around. Cloned and upped the filter to 2:2 (well, 1.75:1.75 to be exact). The 0.25 offset was initially put into place for the creative process, just so I know which brick was where. The breaks became a design element somewhere along the way. That caused additional brick placement problems. A full 2:2 filter would have made things much easier. Regardless, I am reasonably satisfied with the outcome. Needless to say, each glyph went through a whole bunch of iterations before settling on what's currently visible. Not all turned out good. The 'V', for instance. Who knows, better solutions may exist.

Take a square, split it horizontally, vertically and diagonally. This gives just 16 line segments to work with. I have a book where the author lists every possible combination of those 16 line segments. That gives a staggering 65535 total possibilities. And that's just straight lines. I mention this because the uppercase grid here is 6×8=48 bricks (counting one 2:2 brick as 4 1:1 bricks). Then there is the possibility of using a whole slew of 4×4 brick shape. I am not even going to attempt to figure out how many total possible combinations that makes but I am sure it is a number much larger than 65535.

The point is, with so many possible brick combinations, better solutions most probably exist. I just may be too narrow-minded to visualize them.

“fs Laurel” by thalamic

Fri, 22 Apr 2011 15:46:31 +0000

Thanks to Aruba Ajmal for suggesting the name. :-)

“Ohm Run Slab” by William Leverette (will.i.ૐ)

Sat, 09 Apr 2011 06:18:09 +0000

Here, the innovative approach I took to stroke contrast in iSlab takes a radical leap forward. The result: a technical, friendly, modern slab serif design demonstrating further potential of the stackable composite function.

Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)

Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.

More characters to come... :)