Mithrandir is the Elvish name of Gandalf in The Lord of the Rings. It means Grey Pilgrim in Sindarin. Work in progress.

Inspired by this pretty font by fugitiveglue. I've added a bright point on each little ball. Better see at big size.

Unicase with alternates. I was trying a monospaced font, but...

Original design based on the garalde model. Jensonian tilted e etc

A basic sans serif font for coding, meant for small sizes (and it would look good in large sizes too, if it weren't for those pesky parentheses...)

I can't superate chocomotion by four (❤️!), but I'm trying my own soft approach to the 3lines font design world. Hope you like this attempt to clarify from my to-do list. Btw: feedback about the design or aesthetics of some Cyrillic characters would be appreciated. Thanks in advance, people.

Part of the Stu font family, Stu Hi utilises flair/swash-like ascenders to extend characters upwards. The character glyphs can be used interchangeably between the various Stu styles to achieve a more "bouncy" typesetting effect.

Stu pays homage to oldstyle numerals, where type designers vary the heights of numbers to resemble a line of running lowercase text. It seeks to address the question: "What if every lowercase alphabet also had varying heights?" The result is a font family with full-fledged ascenders ('Hi'), strictly x-heights ('Mid'), and only descenders ('Lo').

You can view the documentation of the Stu font family design here.

Part of the Stu font family, Stu Mid keeps all lowercases tucked within the x-height space. The character glyphs can be used interchangeably between the various Stu styles to achieve a more "bouncy" typesetting effect.

Stu pays homage to oldstyle numerals, where type designers vary the heights of numbers to resemble a line of running lowercase text. It seeks to address the question: "What if every lowercase alphabet also had varying heights?" The result is a font family with full-fledged ascenders ('Hi'), strictly x-heights ('Mid'), and only descenders ('Lo').

You can view the documentation of the Stu font family design here.

Part of the Stu font family, Stu Lo utilises flair/swash-like descenders to extend characters downwards. The character glyphs can be used interchangeably between the various Stu styles to achieve a more "bouncy" typesetting effect.

Stu pays homage to oldstyle numerals, where type designers vary the heights of numbers to resemble a line of running lowercase text. It seeks to address the question: "What if every lowercase alphabet also had varying heights?" The result is a font family with full-fledged ascenders ('Hi'), strictly x-heights ('Mid'), and only descenders ('Lo').

You can view the documentation of the Stu font family design here.

My version of Jan Tschichold’s “Schmale Grotesk - Leicht und schnell konstruierbare Schrift” (narrow grotesque - font that is easy and quick to construct), from 1930.

Turns out it isn’t always “quick and easy” to translate a pen and straightedge approach to constructed letters into Fontstruct’s prefabricated bricks setting.

In expanding the glyph coverage, I tried to remain true to the spirit of the original self imposed limitations, both in terms of grid (e.g. the cramped space for the uppercase diacritics), and of tools (see the solution for  superscripts et similia).

The font covers all of Google Fonts Basic set and, given the c-caron present in the source, all of Czech orthography. I may try to add other Eastern European languages in the future.

There are many different takes on the same source (including for the visual identity of a museum), you can look at Serious, here on Fontstruct, or at Iwan Reschniev, for an extensive expansion in weights and typographic features.

As always, comments and suggestions are welcome :-)

See also Quick and Easy and New.

Outline unicase font with a lot of alternates (including a lowercase "c" at the "¢" glyph).

Another Eurostile-style font. Something you'd see on the side of a spaceship.

tried to remake the infamous minecraft font but with a little twist

this is my first font that uses fake 3x3 and 1.5x1.5 curves, hope you like it

the only thing I changed from the original is the tilde because of its original 6x2 size (at least in a reference font I'm using), and I don't really like the ampersand because of its funky shape. though I quite like the overall result, especially how it looks in a small size. 

GROOVERIDER — 70's future retro display sans
═══════════════════════════════════
Grooverider is another groovy looking display style with that distinctive 70's retro aesthetics.

The concept for the lettering is that of a solid future retro / space-age style with inversed-stress.  It's reversed weight contrast adds some additional groovin' funkyness and good old boogie wonder flavour to the font's overall characteristics. Making it somewhat of a hybrid mixture between two distinct 70's and 80's retro styles.

Simple at the surface, but rather complex down at the Editor level, since the letterforms have several tailor-made geometry and curve shapes. Pulling off some glyphs without disrupting the (near) real Bézier curve geometry was tricky I must say. Like for example the joined letters such as lowercase Æ/Œ, question mark, @ sign, number 2 digit, percent sign and lowecase letter S all proved difficult. But also some unlikely ones that are typically pretty straight forward now were trickier within the font's parameters. But I'm pretty satisfied with the end result so far. Little to no compromising imperfections slipped into the design,  one or two real minor ones are present, but only truly become noticeable once the size is fully blown up.

It was very fun to make though, I hope y'all like it...

Cheers

BEACH RESORT — 1920s Art-Deco style
═══════════════════════════════════
Beach Resort is a tall geometric display sans inspired by the Art-Deco aesthetics.

It's condensed style makes up for a rather tall and narrow looking letter concept. The design is further characterized by this distinct asymmetric curve geometry. A tiny touch of stress was added on the vertical axis to create this gentle stroke contrast. The stressed weight of the horizontals automatically compensating it's optical correction issue.

— Only minimal kerning for now, more will be added soon

Hope y'all like it,

Cheers