New version of db Como Mono: Typewriter & Monoline, 
so monomono ; )

Adapted from Como S(lab), designed in 2012 with completely revised shapes and a new style.

Enjoy!

A mish-mash of various fantasy and medieval influences.

(Still a work in progress.)

I was watching a video on YouTube when this monospaced sort-of connected script with sort-of Lombardic caps caught my eye.

It’s the font for Tower of Despair (AKA Argent Warrior), a text adventure published in 1984 by Games Workshop (yes, that GW) for the ZX Spectrum.

I based my version only on found screenshots, thus |J|Q|Z|q|z| are personal guesses. Punctuation and numbers seem to vary, I suspect based on different ports (notably the Commodore 64).

Best used in multiples of 8pts.

Here I present another variation of Como Splitt (startet in 2014)  in grayscale. Some glyphs have been modified in their breaks, as well as a few other details such as curves and size.
db Como is one of my oldest typeface families, and I still enjoy working with it very much. It comes in various styles, such as Mono, Stencil, Sans Serif/Mix, as well as different weights. 

Farop (short for Fanning a Ream of Paper) is an inline display type family that employs non-rhythmic stroke widths, layered overlays, and unconventional alignments to create a distinctive multi-lined aesthetic. It deliberately breaks away from traditional typographic conventions by disregarding standard baselines in favour of chunky, brutalist letterforms and self-determined vertical positioning.

Farop Freestyle (shown here) is composed of eight coloured layers, each manipulating the glyphs with differently coloured stripes. It serves as a visual reference for the wide range of styles that can be achieved with the Farop family, while also functioning as a ready-to-use colour font for bold, maximalist inline typography.

The complete Farop type family, including five individual weights (Farop 1 to 5), Farop Freestyle, and Farop Stack (the original monochromatic gradient variant), is available to download for free at fauxicing.com.

Recreation of the large pixel font from Jaleco's “Plus Alpha” (1989).

The uppercase characters are 16px wide, while the remaining characters are 8px wide.

Only the characters present in the game's tile set have been included.

based on the insular/celtic capital typography from the book of kells

alternates in lowercase

extra alternate M in ~

rho and phi also included

what if lombardic/uncial capitals had a more art deco feel?

i think this font is pretty ugly (the Z is atrocious) but its just an idea (^^)

alternate K in lowercase

use * for the cross symbol

height: 4 bricks

A different attempt at recreating the lettering of the RISO logo and inspired by the custom type featured in a Gaji periodical by Corners Studio.

I've drawn a similar typeface previously in Illustrator but with a varied set of glyph styles called Risalto, free for download in my font bundle.

Been playing with my extra Colourcomp slots and layering the 'macaroni' bricks to see what shadowplay I can get out from it, resulting in what become as stated in the font name, Farop (Fanning a Ream of Paper).

I was inspired to indulge in the great abandonment of a typographic baseline when I saw how anotherSerif by Xiaoyuan Gao disregards its convention and produced a wonderfully cheery dot matrix font work. Thus, even with the limitations implemented by the 'ream' brick compositions, quirky glyphs can still be made out of them.

I have a feeling that I'll be disregarding baselines a lot more moving forward, ever since how the Numberscomp brought to my attention the energetic disposition of oldstyle numerals.

designed with as much 1x1 space and as little 2x2 space as possible

edit 4/22/2026: OMG THX FOR THE STAFF PICK

Cross-stitch version of my zhowfrakt font, made for a personal project. I hope some grandma likes it. :D

a simple cursive pixel font, except the pixels are actually sparkles, and some punctuation are also sparkles !!!

work in progress 

random art deco font

height: 4 bricks