Favorite FontStructions from Emma_Rostaing (Sorted by Sharing Date)

“fs RISQUE” by thalamic

Sun, 08 Mar 2015 16:19:46 +0000

[Pretentious description deleted]

I gave up working on this font last year because it looked ugly. Then I found it a few days ago and somehow it turned into this presentable form. Hope you like it.

However, the curves are quite faceted as I don't have the patience of other more accomplished fontstructors here. I wish I did.

“Crossover” by Miles Foley

Wed, 04 Mar 2015 16:45:32 +0000

“Alphabetical Order” by four

Wed, 04 Mar 2015 12:16:54 +0000

Please zoom in for a good preview.

“fs Squangular Square” by thalamic

Wed, 25 Feb 2015 11:00:34 +0000

“Wrath of Mordor” by Frodo7

Fri, 21 Nov 2014 19:43:05 +0000

This font was inspired by the works of Christophe Szpajdel (Lord of the Logos, 2010, Die Gestalten Verlag), as well as by the film trilogy and the following game titles (e.g. Middle-earth: Shadows of Mordor, Warner Bros. Interactive Entertainment, 2014) based on Tolkien's epic masterpiece, The Lord of the Rings. Given the game theme, and the 48 bricks vertical limit, I thought more or less around pixel art, or pixel fonts. This is my endeavour to make a spiky blackletter in Szpajdel's black metal style that evokes the terror of Mordor at pixel level. This font has been extensively tested for best kerning, yet some issues might have remained unresolved.

“RM Celtic condensed” by p2pnut

Sun, 28 Jul 2013 11:49:03 +0000

“Badger Spine” by hollydennis

Tue, 25 Oct 2011 09:30:17 +0000

This font was created around the theme of decay. I took inspiration from shapes and forms within the pieces of a badger's spine and manipulated them to construct the alphabet. Here is my blog :) > http://hollydennis.tumblr.com/ website> www.hollydennisdesign.com

“SwiftedStrokes” by Mike Lee (badgerkins)

Fri, 05 Nov 2010 23:41:24 +0000

This is my first FontStruction while currently studying graphic design at Bristol UWE. Lots of experimentation solely using paints; quick hand movements and flicks to produce a messy, unrefined effect. Working in less than 1 second for each letter (with real paints), used as reference. Inspired by East Asian calligraphy.