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Description:
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Stats:
56 characters, 1 download
Created:
Fri, 6th November, 10:14 AM 2009
Last Edit:
Fri, 6th November, 11:51 PM 2009
Permalink:
http://fontstruct.com/fontstructions/show/252478
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7.2Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E7.2%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.0%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 3 votes
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Discussion

intaglio
intaglio Fri, 6th November, 2009

A less-than-successful attempt to use half-bricks in a small fontstruction. Retaining the rounds becomes a bit of a juggling act, forcing odd decisions that lend the design a certain frisson, shall we say.

So many decisions... which side to put the half-round stress on... which glyphs to include the funny spurs on... you wouldn't know it but quite a lot of (wayward!) thought went into this abortion.

A less-than-successful attempt to use half-bricks in a small fontstruction. Retaining the rounds becomes a bit of a juggling act, forcing odd decisions that lend the design a certain <i>frisson</i>, shall we say. <br/> <br/>So many decisions... which side to put the half-round stress on... which glyphs to include the funny spurs on... you wouldn't know it but quite a lot of (wayward!) thought went into this abortion.
aphoria
aphoria Sun, 8th November, 2009

Interesting experiment. I think the lowercase works pretty well, but the uppercase isn't quite as readable.

p2pnut
p2pnut Sun, 8th November, 2009

The l/c is amazing, considering the constraints that you set yourself. I can only just start to imagine the lengthy trial and error process that leads to this sort of result. More power to your elbow :)