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Cupra

 This FontStruction was selected by FontStruct staff.This%20FontStruction%20was%20selected%20by%20FontStruct%20staff.

by shasta


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Description:
Update: I've remodelled this one completely on a 1x1 filter, with some minor changes on basic latin, redesigned diacritics and extended character set for most roman languages.
Stats:
165 characters, 36 downloads
Created:
Thu, 2nd July, 5:55 PM 2009
Last Edit:
Sun, 4th October, 5:15 PM 2009
Permalink:
http://fontstruct.com/fontstructions/show/199713
Tags:
Metal, Rock, Gothic, Aggressive, Blackletter
Categories:
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  • Currently 8.43122
8.4Balanced%20Rating%3A%20%3Cb%20class%3D%22weighted_value%22%3E8.4%3C%2Fb%3E%3Cbr%2F%3EAverage%20Rating%3A%20%3Cb%20class%3D%22rating_value%22%3E8.8%3C%2Fb%3E%3Cbr%2F%3EClick%20for%20more%20information%20about%20this%20rating. 18 votes
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This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.

Discussion

shasta
shasta Thu, 9th July, 2009

aphoria
aphoria Thu, 9th July, 2009

Great job. I love the &.

djnippa
djnippa Thu, 9th July, 2009

THIS ROCKS.
1000% brilliant C,L,S,Z,a,c,e,g,o,s,y,$,&.
Not sure about G.
10/10

intaglio
intaglio Thu, 9th July, 2009

Heavy metal chopsticks. A great addition worthy of a full 10

kix
kix Thu, 9th July, 2009

razorsharp dude!
very metal!
And yeah, that ampersand is gorgeous. You must have sold your soul to the devil :)

shasta
shasta Mon, 13th July, 2009

Thanks for your comments, glad you like it!
I'm currently working on the more latin set. Most uppercase with accents are there now...
@aphoria + kix: i'm a bit in love with the ampersand as well... the ampersand in general has made quite an impressive career in my personal love-to-do ranking, from one of the most hated to the top ten. this one here is probably my best so far... yay!
@djnippa: I wasn't so sure about G myself... I somewhat liked it, but it didn't really fit into the otherwise pretty strictly consistent font. I've replaced it with a classic version now, hope you like that one better...:)

cheers!

Thanks for your comments, glad you like it! <br/>I'm currently working on the more latin set. Most uppercase with accents are there now... <br/>@aphoria + kix: i'm a bit in love with the ampersand as well... the ampersand in general has made quite an impressive career in my personal love-to-do ranking, from one of the most hated to the top ten. this one here is probably my best so far... yay! <br/>@djnippa: I wasn't so sure about G myself... I somewhat liked it, but it didn't really fit into the otherwise pretty strictly consistent font. I've replaced it with a classic version now, hope you like that one better...:) <br/> <br/>cheers!
afrojet
afrojet Fri, 17th July, 2009

Dig this a lot. The numerals are great. Two suggestions: 1) see if you can get eek out some more differentiation between the cap 'D' and 'O' and, 2) add some cap alternates with legs that extend beyond the baseline.

Dig this a lot. The numerals are great. Two suggestions: 1) see if you can get eek out some more differentiation between the cap 'D' and 'O' and, 2) add some cap alternates with legs that extend beyond the baseline.
shasta
shasta Fri, 17th July, 2009

Great suggestions, afrojet... Thanks a lot! And glad you like the font...
The D/O problem is again a classical example of my everlasting inner consistency vs readability conflict. Just couldn't convince myself to break the pattern as much as to make a really recognizable D... I guess I needed someone to tell me to do so... so thanks!:)
As for the alternates, the big question for me always is: where do I put them? Should I just put them on an extended latin set? Again hurts my perfectionist's conscience... I think I should go and see a psychiatrist about that problem.

Anyway, here are some suggestions for an alternative D. Democracy decides! ;)

Great suggestions, afrojet... Thanks a lot! And glad you like the font... <br/>The D/O problem is again a classical example of my everlasting inner <i>consistency vs readability</i> conflict. Just couldn't convince myself to break the pattern as much as to make a really recognizable D... I guess I needed someone to tell me to do so... so thanks!:) <br/>As for the alternates, the big question for me always is: where do I put them? Should I just put them on an extended latin set? Again hurts my perfectionist's conscience... I think I should go and see a psychiatrist about that problem. <br/> <br/>Anyway, here are some suggestions for an alternative D. Democracy decides! ;)
aphoria
aphoria Fri, 17th July, 2009

I like the bottom D.

afrojet
afrojet Fri, 17th July, 2009

At times I fall into the same consistency over readability trap too. It's an easy trap to fall into with Fontstruct.

While I like the sharp bottom angle of the first example, I'm not sure if you need to 'break' the glyph on the left side.

If you don't want to muck-up this font with alternates, perhaps you could make a companion "Cupra Alternates" font.

\m/ \m/

At times I fall into the same consistency over readability trap too. It's an easy trap to fall into with Fontstruct. <br/> <br/>While I like the sharp bottom angle of the first example, I'm not sure if you need to 'break' the glyph on the left side. <br/> <br/>If you don't want to muck-up this font with alternates, perhaps you could make a companion "Cupra Alternates" font. <br/> <br/>\m/ \m/
gferreira_admin
gferreira_admin Mon, 24th August, 2009

Congratulations! FontStruct Staff have deemed your FontStruction worthy of special mention. “Cupra” is now a Top Pick.